Contents of Previous Volumes

CONTENTS OF PREVIOUS VOLUMES Volume 8 Marjorie Gelus, Birth as Metaphor in Kleist's Das Erdbeben in Chili: A Comparison of Critical Methodologies; Vanessa Van Ornam, No Time for Mothers: Courasche's Infertility as Grimmelshausen's Criticism of War; M.R. Sperberg-McQueen, Whose Body Is It? Chaste Strategies and the Reinforcement of Patriarchy in Three Plays by Hrotswitha von Gandersheim; Sara Lennox, The Feminist Reception of Ingeborg Bachmann; Maria-Regina Kecht, Auflehnung gegen die Ordnung von Sprache und Vernunft: Die weibliche Wirklichkeitsgestaltung bei Waltraud Anna Mitgutsch; Maria-Regina Kecht, Gespräch mit Waltraud Anna Mitgutsch; Susanne Kord, "Und drinnen waltet die züchtige Hausfrau"? Carolina Pichler's Fictional Auto/Biographies; Susan L. Cocalis, "Around 1800": Reassessing the Role of German Women Writers in Literary Production of the Late Eighteenth and Early Nineteenth Centuries (Review Essay); Konstanze Streese und Kerry Shea, Who's Looking? Who's Laughing? Of Multicultural Mothers and Men in Percy Adlon's Bagdad Cafe; Deborah Lefkowitz, Editing from Life; Walfriede Schmitt, Mund-Artiges... (Gedicht); Barbara Becker-Cantarino, Feministische Germanistik in Deutschland : Rückblick und sechs Thesen; Gisela Brinker-Gabler, Alterity—Marginality —Difference: On Inventing Places for Women; Ruth-Ellen B. Joeres, "Language is Also a Place of Struggle" : The Language of Feminism and the Language of American Germanistik. Volume 7 Myra Love, "A Little Susceptible to the Supernatural?": On Christa Wolf; Monika Shafi, Die überforderte Generation: Mutterfiguren in Romanen von Ingeborg Drewitz; Ute Brandes, Baroque Women Writers and the Public Sphere; Katherine R. Goodman, "The Butterfly and the Kiss": A Letter from Bettina von Arnim; Ricarda Schmidt, Theoretische Orientierungen in feministischer Literaturwissenschaft und Sozialphilosophie (Review Essay); Sara Lennox, Some Proposals for Feminist Literary Criticism; Helga Königsdorf, Ein Pferd ohne Beine (Essay); Angela Krauß, Wieder in Leipzig (Erzählung); Waldtraut Lewin, Lange Fluchten (Erzählung); Eva Kaufmann, DDR-Schriftstellerinnen , die Widersprüche und die Utopie; Irene Dölling, Alte und neue Dilemmata: Frauen in der ehemaligen DDR; Dinah Dodds, "Die Mauer stand bei mir im Garten": Interview mit Helga Schütz; Gisela E. Bahr, Dabeigewesen : Tagebuchnotizen vom Winter 1989/90; Dorothy J. Rosenberg, Learning to Say "I" instead of "We": Recent Works on Women in the Former GDR (Review Essay); Sara Friedrichsmeyer and Jeanette Clausen, What's Feminism Got to Do with It? A Postscript from the Editors. Volume 6 Dagmar CG. Lorenz, "Hoffentlich werde ich taugen." Zu Situation und Kontext von Brigitte Schwaiger/Eva Deutsch Die Galizianerin; Sabine Wilke, "Rückhaltlose Subjektivität." Subjektwerdung, Gesellschafts- und Geschlechtsbewu ßtsein bei Christa Wolf; Elaine Martin, Patriarchy, Memory, and the Third Reich in the Autobiographical Novels of Eva Zeller; Tineke Rkmeester, Heterosexism, Misogyny, and Mother-Hatred in Rilke Scholarship: The Case of Sophie Rilke-Entz (1851-1931); Richard W. McCormick, Productive Tensions: Teaching Films by German Women and Feminist Film Theory; Hildegard M. Nickel, Women in the GDR: Will Renewal Pass Them By?; Helen Cafferty and Jeanette Clausen, Feministik Germanistik after Unification. A Postscript from the Editors. Volume 5 Angelika Bammer, Nackte Kaiser und bärtige Frauen: Überlegungen zu Macht, Autorität, und akademischem Diskurs; Sabine Hake, Focusing the Gaze: The Critical Project oí Frauen und Film; Dorothy Rosenberg, Rethinking Progress: Women Writers and me Environmental Dialogue in the GDR; Susanne Kord, Fading Out: Invisible Women in Marieluise Fleißer's Early Dramas; Lorely French, "Meine beiden Ichs": Confrontations with Language and Self in Letters by Early Nineteenth-Century Women; Sarah Westphal-Wihl, Pronoun Semantics and the Representation of Power in the Middle High German Märe "Die halbe Decke"; Susanne Zantop and Jeannine Blackwell, Select Bibliography on German Social HistoTy and Women Writers; Helen Cafferty and Jeanette Clausen, Who's Afraid of Feminist Theory? A Postscript from the Editors. Volume 4 Luise F. Pusch, Totale Feminisierung: Überlegungen zum unfassenden Femininum ; Luise F. Pusch, Die Kätzin, die Rättin, und die Feminismaus; Luise F. Pusch, Carl Maria, die Manne; Luise F. Pusch, Sind Herren herrlich und Damen dämlich?; Ricarda Schmidt, E.T.A. Hoffman's "Der Sandmann": An Early Example ofÉcriture Féminine! A Critique of Trends in Feminist Literary Criticism; Renate Fischetti, Écriture Féminine in the New German Cinema: Ulrike Ottinger's Portrait of a Woman Drinker; Jan Mouton, The Absent Mother Makes...