We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE
OR

Special Issue, Volume 5, 2014

Table of Contents

Women and Theater

Guest Editors: Cecilia Beach, Joyce Carlton Johnston


Introduction

pp. 15-21 | DOI: 10.1353/wfs.2014.0000

The Self

Traveling with the Théâtre du Soleil’s Mad Hope: Les Naufragés du Fol Espoir

pp. 22-35 | DOI: 10.1353/wfs.2014.0003

Staging the Writing Self: The Character of the Artist in Hélène Cixous’s Theater

pp. 36-47 | DOI: 10.1353/wfs.2014.0006

“Juste une petite mise en scène de la problématique”: Citational Constrution of an Autofictional Voice in Chloé Delaume’s Éden matin midi et soir

pp. 48-61 | DOI: 10.1353/wfs.2014.0009

La Femme Forte: Revising and Revisiting Ideas of Womanhood

Staging the Impossible Femme Forte in Madame de Maintenon’s Dramatic Conversations

pp. 62-75 | DOI: 10.1353/wfs.2014.0012

Women and the Exercise of Power in Eighteenth-Century Tragedy

pp. 76-85 | DOI: 10.1353/wfs.2014.0015

Power and the Salonnière in Madame Ancelot’s L’Hôtel de Rambouillet

pp. 86-97 | DOI: 10.1353/wfs.2014.0018

Staging a Heroine in George Sand: The Path from Cosima to Claudie

pp. 98-105 | DOI: 10.1353/wfs.2014.0002

Speaking Out: Theater as Social Commentary

Reconfiguring Family Legitimacy: Olympe de Gouge’s L’Esclavage des Noirs

pp. 106-116 | DOI: 10.1353/wfs.2014.0005

Lupo Liverani, adaptation du Damné pour doute de Tirso de Molina et testament théosophique de George Sand

pp. 117-130 | DOI: 10.1353/wfs.2014.0008

Esquisse de révolte : Libre ! de Jeanne Herter-Eymond au Théâtre Féministe en 1898

pp. 131-142 | DOI: 10.1353/wfs.2014.0011

Mode et société dans le théâtre de Colette

pp. 143-157 | DOI: 10.1353/wfs.2014.0014

Breaking the Silence: Women Giving Voice

Powerful Narratives in Contemporary Quebec Dramaturgy by Women

pp. 158-172 | DOI: 10.1353/wfs.2014.0017

Staging her People’s Voice: Ina Césaire

pp. 173-182 | DOI: 10.1353/wfs.2014.0001

Théâtralisation et quête de liberté par procuration chez trois dramaturges antillaises

pp. 183-193 | DOI: 10.1353/wfs.2014.0004

Memory as Performance: Fatima Gallaire’s Rimm la Gazelle and Molly des Sables

pp. 194-204 | DOI: 10.1353/wfs.2014.0007

New Horizons: Performance and Experimentation

Le Couteau dans la plaie: Théâtre témoignage, théâtre thérapie dans Trames de Gerty Dambury

pp. 205-217 | DOI: 10.1353/wfs.2014.0010

Maud Robart—Au-delà du théâtre

pp. 218-231 | DOI: 10.1353/wfs.2014.0013

“La mise en scène du journal crypté de l’écriture”: The Theater of Noëlle Renaude

pp. 232-245 | DOI: 10.1353/wfs.2014.0016

Notes on Contributors

pp. 246-250 | DOI: 10.1353/wfs.2014.0019