Women and Music: A Journal of Gender and Culture
Volume 13, 2009
Previous Issue E-ISSN: 1553-0612 Print ISSN: 1090-7505
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Table of Contents
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Clares in Procession: The Processional and Hours of the Franciscan Minoresses at Aldgate
pp. 1-23
Bernstein, Homophobia, Historiography
pp. 24-42
Theorizing Gender, Culture, and Music: “Queer Vibrations”
What's Queer about Musicology Now?
pp. 43-53
Subject Headings:
Amor nello specchio (1622): Mirroring, Masturbation, and Same-Sex Love
pp. 54-65
"Do You Nomi?": Klaus Nomi and the Politics of (Non)identification
pp. 66-75
Subject Headings:
The Erotics of an Oil Drum: Queercore, Gay Macho, and the Defiant Sexuality of Extra Fancy's Sinnerman
pp. 76-87
Reviews
Ruth Crawford Seeger's Worlds: Innovation and Tradition in Twentieth-Century American Music (review)
pp. 88-90
Boccherini's Body: An Essay in Carnal Musicology (review)
pp. 90-95
Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera (review)
pp. 95-98
Women Composers and Music Technology in the United States: Crossing the Line (review)
pp. 98-101
O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage (review)
pp. 101-106
Bay Area Women in Creative Music (http://music.mills.edu/bawcm/) (review)
pp. 106-108