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Volume 13, 2009

Table of Contents

Clares in Procession: The Processional and Hours of the Franciscan Minoresses at Aldgate

pp. 1-23 | DOI: 10.1353/wam.0.0022

Bernstein, Homophobia, Historiography

pp. 24-42 | DOI: 10.1353/wam.0.0028

Theorizing Gender, Culture, and Music: “Queer Vibrations”

What's Queer about Musicology Now?

pp. 43-53 | DOI: 10.1353/wam.0.0019

Amor nello specchio (1622): Mirroring, Masturbation, and Same-Sex Love

pp. 54-65 | DOI: 10.1353/wam.0.0027

"Do You Nomi?": Klaus Nomi and the Politics of (Non)identification

pp. 66-75 | DOI: 10.1353/wam.0.0016

The Erotics of an Oil Drum: Queercore, Gay Macho, and the Defiant Sexuality of Extra Fancy's Sinnerman

pp. 76-87 | DOI: 10.1353/wam.0.0029

Reviews

Ruth Crawford Seeger's Worlds: Innovation and Tradition in Twentieth-Century American Music (review)

pp. 88-90 | DOI: 10.1353/wam.0.0023

Boccherini's Body: An Essay in Carnal Musicology (review)

pp. 90-95 | DOI: 10.1353/wam.0.0021

Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera (review)

pp. 95-98 | DOI: 10.1353/wam.0.0020

Women Composers and Music Technology in the United States: Crossing the Line (review)

pp. 98-101 | DOI: 10.1353/wam.0.0017

O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage (review)

pp. 101-106 | DOI: 10.1353/wam.0.0025

Bay Area Women in Creative Music (http://music.mills.edu/bawcm/) (review)

pp. 106-108 | DOI: 10.1353/wam.0.0024

Queering the Popular Pitch (review)

pp. 109-112 | DOI: 10.1353/wam.0.0026

Contributors

Contributors

pp. 113-114 | DOI: 10.1353/wam.0.0018

Research Areas

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