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Women and Music: A Journal of Gender and Culture

Volume 12, 2008

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E-ISSN: 1553-0612 Print ISSN: 1090-7505

Table of Contents

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Remaking the Past: Feminist Spirituality in Anonymous 4 and Sequentia's Vox Feminae
pp. 1-21
Gender and Gender Redux: Rethinking Binaries and the Aesthetics of Old-Style Javanese Wayang
pp. 22-39

Three Perspectives on Feminist Rock Criticism: In Memory of Ellen Willis

A Spy in the House of Love
pp. 40-43
Calling Ellen Willis: Quarreling with the "Radicals," Loving Consumer Culture, and Hearing Women's Voices
pp. 44-53
The Write to Rock: Racial Mythologies, Feminist Theory, and the Pleasures of Rock Music Criticism
pp. 54-62

Theorizing Gender, Culture, and Music

The Sublime, the Ineffable, and Other Dangerous Aesthetics
pp. 63-74
Garden Disputes: Postmodern Beauty and the Sublime Neighbor: A Response to Judy Lochhead's "The Sublime, the Ineffable, and Other Dangerous Aesthetics"
pp. 75-86
Musicology after Identity— Four Fragments
pp. 87-93

Subject Headings:

Experience, Borders: "How, therefore, must we live?": A Response to James Robert Currie
pp. 94-95

Reviews

Black Women and Music: More than the Blues (review)
pp. 96-100
Check It While I Wreck It: Black Womanhood, Hip-Hop Culture and the Public Sphere (review)
pp. 100-104
A Boy Named Sue: Gender and Country Music (review)
pp. 104-110
Sensational Knowledge: Embodying Culture through Japanese Dance (review)
pp. 110-113
The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity (review)
pp. 113-117
Melting the Venusberg: A Feminist Theology of Music (review)
pp. 117-122

Contributors

Contributors
pp. 123-125

© 2010 Project MUSE®. Produced by The Johns Hopkins University Press in collaboration with The Milton S. Eisenhower Library.