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Browse Book and Journal Content on Project MUSE

Volume 47, Number 3, Fall 2012

Table of Contents


Narrative, Being, and the Dialogic Novel: The Problem of Discourse and Language in Cormac McCarthy’s The Crossing

pp. 236-257 | DOI: 10.1353/wal.2012.0061

Speaking Chinook: Adaptation, Indigeneity, and Pauline Johnson’s British Columbia Stories

pp. 258-285 | DOI: 10.1353/wal.2012.0064

Before the West Was West: Rethinking the Temporal Borders of Western American Literature

pp. 286-307 | DOI: 10.1353/wal.2012.0067

Book Reviews

State of Minds: Texas Culture and Its Discontents (review)

pp. 308-310 | DOI: 10.1353/wal.2012.0070

In Earshot of Water: Notes from the Columbia Plateau (review)

pp. 310-312 | DOI: 10.1353/wal.2012.0073

All Our Stories Are Here: Critical Perspectives on Montana Literature (review)

pp. 312-313 | DOI: 10.1353/wal.2012.0076

Painting Indians and Building Empires in North America, 1710–1840 (review)

pp. 313-315 | DOI: 10.1353/wal.2012.0060

X-Marks: Native Signatures of Assent (review)

pp. 315-317 | DOI: 10.1353/wal.2012.0063

Riding Shotgun into the Promised Land (review)

pp. 317-318 | DOI: 10.1353/wal.2012.0066

Tillie Olsen: One Woman, Many Riddles (review)

pp. 318-319 | DOI: 10.1353/wal.2012.0069

Sherman Alexie: A Collection of Critical Essays (review)

pp. 319-321 | DOI: 10.1353/wal.2012.0072

Bound to Have Blood: Frontier Newspapers and the Plains Indian Wars (review)

pp. 321-322 | DOI: 10.1353/wal.2012.0075

Writing the Irish West: Ecologies and Traditions (review)

pp. 323-324 | DOI: 10.1353/wal.2012.0059

No More Heroes: Narrative Perspective and Morality in Cormac McCarthy (review)

pp. 324-326 | DOI: 10.1353/wal.2012.0062

Engaged Resistance: American Indian Art, Literature, and Film from Alcatraz to the NMAI (review)

pp. 326-328 | DOI: 10.1353/wal.2012.0065

The Geese at the Gates (review)

pp. 328-329 | DOI: 10.1353/wal.2012.0068

Wrecker (review)

p. 330 | DOI: 10.1353/wal.2012.0071


pp. 331-332 | DOI: 10.1353/wal.2012.0074

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