Abstract

Sequential print images and text, injected with Deleuze's cinematic concept of the time image, create a blended graphic novel/zine within the framework of the folding of an origami mask. the politics of art making is investigated through Deleuze and Guattari's three political lines of subject construction, and the fold. This opens up possibilities for positive, continual change in the artist and viewer selves, with relevancy to art and its education.

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