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Browse Book and Journal Content on Project MUSE

Volume 35, Number 1, Spring 2009

Table of Contents

Editors' Note

p. 9 | DOI: 10.1353/vcr.2009.0018

Victorian Review Forum

Forum: Keynotes: Key Victorian Texts

p. 11 | DOI: 10.1353/vcr.2009.0047

The Early Victorian Annual (review)

pp. 13-19 | DOI: 10.1353/vcr.2009.0027

On the Constitution of the Church and State (review)

pp. 19-23 | DOI: 10.1353/vcr.2009.0036

Manifest der Kommunistischen Partei/The Communist Manifesto (review)

pp. 23-27 | DOI: 10.1353/vcr.2009.0045

The Charge of the Light Brigade (review)

pp. 27-32 | DOI: 10.1353/vcr.2009.0055

On the Origin of Species (review)

pp. 32-37 | DOI: 10.1353/vcr.2009.0006

The Woman in White (review)

pp. 37-41 | DOI: 10.1353/vcr.2009.0015

A Plea for the Doric (review)

pp. 41-45 | DOI: 10.1353/vcr.2009.0024

The Albert Memorial (review)

pp. 45-49 | DOI: 10.1353/vcr.2009.0033

On the Hypothesis that Animals are Automata (review)

pp. 50-51 | DOI: 10.1353/vcr.2009.0042

The Art of Fiction (review)

pp. 53-56 | DOI: 10.1353/vcr.2009.0051

Tess of the D'Urbervilles (review)

pp. 56-60 | DOI: 10.1353/vcr.2009.0002

Letters to James Allanson Picton; the Ruskin Society in Manchester (review)

pp. 60-64 | DOI: 10.1353/vcr.2009.0011

The Critic as Artist (review)

pp. 64-68 | DOI: 10.1353/vcr.2009.0020

The Evolution of the Art of Music (review)

pp. 68-72 | DOI: 10.1353/vcr.2009.0029

Sexual Inversion (review)

pp. 72-76 | DOI: 10.1353/vcr.2009.0038


Hamilton Prize Essay

Greater Britain and the Imperial Outpost: The Australasian Origins of The Riddle of the Sands (1903)

pp. 79-95 | DOI: 10.1353/vcr.2009.0053

Dracula and Chloral: Chemistry Matters

pp. 96-115 | DOI: 10.1353/vcr.2009.0004

The Thrill of the Trill: Political and Aesthetic Discourse in George Eliot's Armgart

pp. 116-131 | DOI: 10.1353/vcr.2009.0013

"Write a little bit every day": L.T. Meade, Self-Representation, and the Professional Woman Writer

pp. 132-152 | DOI: 10.1353/vcr.2009.0022

"A Place for More than the Healing of Bodily Sickness": Charles Dickens, the Social Mission of Nineteenth-Century Pediatrics, and the Great Ormond Street Hospital for Sick Children

pp. 153-174 | DOI: 10.1353/vcr.2009.0031

"England in the East": Metonymies of Absence in Charles Dilke's Greater Britain

pp. 175-189 | DOI: 10.1353/vcr.2009.0040

"Mere Outward Appearances"?: Household Taste and Social Perception in Elizabeth Gaskell's North and South

pp. 190-210 | DOI: 10.1353/vcr.2009.0049

Stretching "The Sensational Sixties": Genre and Sensationalism in Domestic Fiction by Victorian Women Writers

pp. 211-228 | DOI: 10.1353/vcr.2009.0000

In "the Sumptuous Rank of the Signifier": The Gendered Tattoo in Mr. Meeson's Will

pp. 229-251 | DOI: 10.1353/vcr.2009.0009

Book Reviews

The Mass Image: A Social History of Photomechanical Reproduction in Victorian London, and: The Haunted Gallery: Painting, Photography, Film c. 1900 (review)

pp. 253-256 | DOI: 10.1353/vcr.2009.0057

Reforming Philosophy: A Victorian Debate on Science and Society (review)

pp. 256-258 | DOI: 10.1353/vcr.2009.0008

Knowing Dickens (review)

pp. 258-260 | DOI: 10.1353/vcr.2009.0017

Cholera and Nation: Doctoring the Social Body in Victorian England (review)

pp. 261-262 | DOI: 10.1353/vcr.2009.0026

The Jewess in Nineteenth-Century British Literary Culture (review)

pp. 262-264 | DOI: 10.1353/vcr.2009.0035

Racism on the Victorian Stage: Representation of Slavery and the Black Character (review)

pp. 265-267 | DOI: 10.1353/vcr.2009.0044

Formal Investigations: Aesthetic Style in Late-Victorian and Edwardian Detective Fiction (review)

pp. 267-269 | DOI: 10.1353/vcr.2009.0054

The Earth on Show: Fossils and the Poetics of Popular Science, 1802-1856 (review)

pp. 269-271 | DOI: 10.1353/vcr.2009.0005

Metropolis on the Styx: The Underworld of Modern Urban Culture, 1800-2001 (review)

pp. 271-273 | DOI: 10.1353/vcr.2009.0014


pp. 275-279 | DOI: 10.1353/vcr.2009.0060

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