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Volume 27, Number 2, 2001

Table of Contents

From: Victorian Review

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Articles

Anxious Performances: Aestheticism, The Art Gallery And The Ambulatory Geographies Of Late Nineteenth-Century London

pp. 1-19

The Face as Legible Text: Gazing at the Portraits of George Eliot

pp. 20-41

The Unreliable Camera: Photography as Evidence in Mid-Victorian Fiction

pp. 42-55

"Looking Radiant": Science, Photography and the X-ray Craze of 1896

pp. 56-74

Review Essay

American Slaves in Victorian England: Abolitionist Politics in Popular Literature and Culture by Audrey Fisch, and: Blind Memory: Visual Representations of Slavery in England and America, 1780-1865 by Marcus Wood (review)

pp. 75-89

Reviews

The Crowd: British Literature and Public Politics by John Plotz (review)

pp. 90-93

Masculinity and Spirituality in Victorian Culture edited by Bradstock, Andrew, Sean Gill, Anne Hogan, and Sue Morgan (review)

pp. 94-98

Traditions of Victorian Women's Autobiography. The Poetics and Politics of Life Writing by Linda H. Peterson (review)

pp. 99-102

Orphan Texts: Victorian Orphans, Culture and Empire by Laura Peters (review)

pp. 103-106

Victorian Writing about Risk: Imagining a Safe England in a Dangerous World by Elaine Freedgood (review)

pp. 107-110

The Cambridge Bibliography of English Literature Volume 4, 1800-1900 edited by Joanne Shattock (review)

pp. 111-113

Contributors

pp. 114-115

Books Received

pp. 116-117

Research Areas

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