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Table of Contents

  1. Robert Browning’s “Saul”: Strains through the Array
  2. Joseph A. Dupras
  3. pp. 1-25
  4. DOI: https://doi.org/10.1353/vp.2011.0004
  5. restricted access
  1. Augusta Webster Writing Motherhood in the Dramatic Monologue and the Sonnet Sequence
  2. Melissa Valiska Gregory
  3. pp. 27-51
  4. DOI: https://doi.org/10.1353/vp.2011.0005
  5. restricted access
  1. “Telling what’s o’er”: Remaking the Sonnet Cycle in Augusta Webster’s Mother and Daughter
  2. Nicole Fluhr
  3. pp. 53-81
  4. DOI: https://doi.org/10.1353/vp.2011.0006
  5. restricted access
  1. “Almost unmade”: Hopkins and the Body Apocalyptic
  2. Erin M. Goss
  3. pp. 83-103
  4. DOI: https://doi.org/10.1353/vp.2011.0000
  5. restricted access
  1. “Home one and all”: Redeeming the Whore of Babylon in Christina Rossetti’s Religious Poetry
  2. Stephanie L. Johnson
  3. pp. 105-125
  4. DOI: https://doi.org/10.1353/vp.2011.0001
  5. restricted access
  1. Mary Hutton and the Development of a Working-Class Women’s Political Poetics
  2. Meagan Timney
  3. pp. 127-146
  4. DOI: https://doi.org/10.1353/vp.2011.0002
  5. restricted access
  1. Contributors
  3. p. 147
  4. DOI: https://doi.org/10.1353/vp.2011.0003
  5. restricted access