+ MUSE Alert

In this Issue

Table of Contents

  1. Adapting a Canonical Canadian Novel for the Operatic Stage: A Dystopia for Our Times
  2. Caryl Leslie Clark, Linda Hutcheon
  3. pp. 815-820
  4. DOI: https://doi.org/10.1353/utq.2006.0255
  5. restricted access
  1. Margaret Atwood and Music
  2. Robin Elliott
  3. pp. 821-832
  4. DOI: https://doi.org/10.1353/utq.2006.0258
  5. restricted access
  1. The Joyless Republic of Gilead: Reflections of a Political Scientist on the Operatic Production of Margaret Atwood's The Handmaid's Tale
  2. Paul Kingston
  3. pp. 834-835
  4. DOI: https://doi.org/10.1353/utq.2006.0259
  5. restricted access
  1. Offred Reframed: The Adaptation from Novel to Opera
  2. Helmut[h] Reichenbacher
  3. pp. 835-849
  4. DOI: https://doi.org/10.1353/utq.2006.0261
  5. restricted access
  1. What If? Writing The Handmaid's Tale
  2. Rosemary Sullivan
  3. pp. 850-856
  4. DOI: https://doi.org/10.1353/utq.2006.0262
  5. restricted access
  1. 'Just a Backlash': Margaret Atwood, Feminism, and The Handmaid's Tale
  2. S. C. Neuman
  3. pp. 857-868
  4. DOI: https://doi.org/10.1353/utq.2006.0260
  5. restricted access
  1. The Handmaid's Detail: Notes on the Novel and Opera
  2. Eric Domville
  3. pp. 869-882
  4. DOI: https://doi.org/10.1353/utq.2006.0257
  5. restricted access
  1. Demoralizing Liberalism: Lionel Trilling, Leslie Fiedler, and Norman Mailer
  2. T. H. Adamowski
  3. pp. 883-904
  4. DOI: https://doi.org/10.1353/utq.2006.0256
  5. restricted access