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Volume 24, Number 2, June 2014

Table of Contents

A Note from the Editor

pp. ix-x | DOI: 10.1353/tt.2014.0024

Reflections from Former Editors

pp. 71-84 | DOI: 10.1353/tt.2014.0012

The Bucket Brigade: ATHE President’s Address, 2013

pp. 85-88 | DOI: 10.1353/tt.2014.0015


Playing Jewish at the National Asian American Theatre Company

pp. 89-102 | DOI: 10.1353/tt.2014.0017

“Hey, asshole: you had your say”: The Performance of Theatre Criticism

pp. 103-124 | DOI: 10.1353/tt.2014.0019

The Spectator and Her Double: Seeing Performance through the Eyes of Another

pp. 125-136 | DOI: 10.1353/tt.2014.0021

Notes from the Field

“It’s New Eyes We’re Trying to Create”: Speaking with Blind Summit’s Mark Down

pp. 137-144 | DOI: 10.1353/tt.2014.0023

The “Open-Sourced” Hamburg Dramaturgy: A Twenty-first-Century Invitation to Interact with an Eighteenth-Century Work in Progress

pp. 145-148 | DOI: 10.1353/tt.2014.0026

Directing When You Are Not a Director: A Creative Process

pp. 151-158 | DOI: 10.1353/tt.2014.0014

Book Reviews

Political and Protest Theatre after 9/11: Patriotic Dissent ed. by Jenny Spencer (review)

pp. 159-160 | DOI: 10.1353/tt.2014.0016

Encountering Ensemble ed. by John Britton (review)

pp. 160-161 | DOI: 10.1353/tt.2014.0018

Body and Performance ed. by Sandra Reeve (review)

pp. 161-162 | DOI: 10.1353/tt.2014.0020

The Methuen Drama Guide to Contemporary American Playwrights ed. by Martin Middeke, Peter Paul Schnierer, Christopher Innes, and Matthew C. Roudané (review)

p. 163 | DOI: 10.1353/tt.2014.0022

Getting the Joke: The Inner Workings of Stand-up Comedy 2nd ed. by Oliver Double (review)

p. 164 | DOI: 10.1353/tt.2014.0025

The Great White Way: Race and the Broadway Musical by Warren Hoffman (review)

p. 165 | DOI: 10.1353/tt.2014.0013

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