We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE

Volume 24, Number 1, March 2014

Table of Contents

A Note from the Editor

pp. vii-viii | DOI: 10.1353/tt.2014.0006


Playing Together! How the New York Writers’ Bloc Created Camaraderie, Community, and Great Stories

pp. 1-10 | DOI: 10.1353/tt.2014.0008

The Reconstructed Dramaturg

pp. 11-23 | DOI: 10.1353/tt.2014.0010

The Staged Business of Artists in Public Practice: Writing for/about Art

pp. 25-37 | DOI: 10.1353/tt.2014.0000

The Odyssey Project: A Martial Arts Journey Toward Recovery and Liberation

pp. 39-50 | DOI: 10.1353/tt.2014.0002

Echoes of Performance: Writing and the Play of Pedagogy

pp. 51-62 | DOI: 10.1353/tt.2014.0004

Book Reviews

Staging Social Justice: Collaborating to Create Activist Theatre Edited by Norma Bowles and Daniel-Raymond Nadon (review)

pp. 63-64 | DOI: 10.1353/tt.2014.0001

Theatre in Co-Communities: Articulating Power by Shulamith Lev-Aladgem (review)

pp. 64-65 | DOI: 10.1353/tt.2014.0003

The Audience Experience: A Critical Analysis of Audiences in the Performing Arts Edited by Jennifer Radbourne, Hilary Glow, and Katya Johanson (review)

pp. 65-66 | DOI: 10.1353/tt.2014.0005

French Theatre Today: The View from New York, Paris, and Avignon by Edward Baron Turk (review)

pp. 66-67 | DOI: 10.1353/tt.2014.0007

Clown by Jon Davison (review)

pp. 67-68 | DOI: 10.1353/tt.2014.0009

Keith Johnstone: A Critical Biography by Theresa Robbins Dudeck (review)

pp. 68-69 | DOI: 10.1353/tt.2014.0011

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access