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Volume 20, Number 2, September 2010

Table of Contents

A Note from the Editor

pp. 1-2 | DOI: 10.1353/tt.2010.0101

The Practice of Astonishment: Devising, Phenomenology, and Jacques Lecoq

pp. 89-99 | DOI: 10.1353/tt.2010.0104

On Queering Twelfth Night

pp. 101-111 | DOI: 10.1353/tt.2010.0107

Polyphonic Dynamics as Educational Practice

pp. 113-131 | DOI: 10.1353/tt.2010.0094

The Built Environment and the Architecture of a Performance: Arcosanti, Chicago, and the Making of Theoretical Isolation: A Post-Atomic Experiment

pp. 133-146 | DOI: 10.1353/tt.2010.0096

Healing Myths from the Ethnic Community, or Why I Don't Teach August Wilson

pp. 147-156 | DOI: 10.1353/tt.2010.0098

Revealing and Renewing Feminist Theatrical Engagement: The Jane Chambers Contest for Women Playwrights

pp. 157-169 | DOI: 10.1353/tt.2010.0100

The "Stage in the Head": A Cognitive Approach to Understanding Audio Description in the Theatre

pp. 171-180 | DOI: 10.1353/tt.2010.0103

Theatre Production and the Creative Campus

pp. 181-188 | DOI: 10.1353/tt.2010.0106

Book Reviews

Collaboration in Theatre: A Practical Guide for Designers and Directors (review)

p. 189 | DOI: 10.1353/tt.2010.0109

The Director's Craft: A Handbook for the Theatre (review)

p. 190 | DOI: 10.1353/tt.2010.0095

Essential Acting: A Practical Handbook for Actors, Teachers and Directors (review)

pp. 190-191 | DOI: 10.1353/tt.2010.0097

Playwriting in Process: Thinking and Working Theatrically, Second Edition (review)

p. 192 | DOI: 10.1353/tt.2010.0099

The Politics of American Actor Training (review)

p. 193 | DOI: 10.1353/tt.2010.0102

Stanislavsky in America: An Actor's Workbook (review)

pp. 193-194 | DOI: 10.1353/tt.2010.0105

The Art of Clowning (review)

p. 195 | DOI: 10.1353/tt.2010.0108

Research Areas

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