Index to Volume 60

ARTICLE TITLE HERE IN ALL CAPS / 701 Theatre Journal INDEX TO VOLUME 60 CONTRIBUTORS’ INDEX Articles Amine, Khalid, and Marvin Carlson. “Al-halqa in Arabic Theatre: An Emerging Site of Hybridity.” 71–85. Arrighi, Gillian. “Political Animals: Engagements with Imperial and Gender Discourses in Late-Colonial Australian Circuses.” 609–629. Cayer, Jennifer A. “Roll yo’ hips—don’t roll yo’ eyes: Angularity and Embodied Spectatorship in Zora Neale Hurston’s Play, Cold Keener.” 37–69. Chansky, Dorothy. “Usable Performance Feminism for Our Time: Reconsidering Betty Friedan.” 341–364. Dolan, Jill. “Feminist Performance Criticism and the Popular: Reviewing Wendy Wasserstein .” 433–457. Guterman, Gad. “Field Tripping: The Power of Inherit the Wind.” 563–583. Im, Yeeyon. “The Location of Shakespeare in Korea: Lee Yountaek’s Hamlet and the Mirage of Interculturality.” 257–276. Kahn, Edward. “Desdemona and the Role of Women in the Antebellum North.” 235–255. Magnarelli, Sharon. “Staging Shadows / Seeing Ghosts: Ambiguity, Theatre, Gender, and History in Griselda Gambaro’s La señora Macbeth.” 365–382. Murphy, Paul. “‘That a black twisty divil could be hiding under such comeliness’: Woman versus woman in Early TwentiethCentury Irish Theatre.” 201–216. Ou, Hsin-yun. “Gender, Consumption, and Ideological Ambiguity in David Garrick ’s Production of The Orphan of China (1759).” 383–407. Pellarolo, Sirena. “Queering Tango: Glitches in the Hetero-National Matrix of a Liminal Cultural Production.” 409–431. Pocock, Stephanie J. “The Judicial and the Melodramatic Stage: Trial Scenes in Boucicault’s Arrah-na-Pogue and The Octoroon.” 545–561. Radulescu, Domnica. “Caterina’s Colombina : The Birth of a Female Trickster in Seventeenth-Century France.” 87–113. Schlueter, Jennifer. “‘A theatrical race’: American Identity and Popular Performance in the Writings of Constance M. Rourke.” 529–543. Schweitzer, Marlis. “Patriotic Acts of Consumption : Lucile (Lady Duff Gordon) and the Vaudeville Fashion Show Craze.” 585–608. Tycer, Alicia. “‘Victim. Perpetrator. Bystander ’: Melancholic Witnessing of Sarah Kane’s 4.48 Psychosis.” 23–36. Warner, Sara L. “Suzan-Lori Parks’s Drama of Disinterment: A Transnational Exploration of Venus.” 181–199. West, William N. “‘But this will be a mere confusion’: Real and Represented Confusions on the Elizabethan Stage.” 217–233. Wolf, Stacy. “‘Defying Gravity’: Queer Conventions in the Musical Wicked.” 1–21. PERFORMANCE REVIEWS Anderson, Monica Fay. The Lieutenant of Inishmore . Martin McDonagh. 294–298. Anderson, Rachel. The Lastmaker. Goat Island. 665–667. Bacalzo, Dan, Christine Bacareza Balance, L. M. San Pablo Burns, Yuko Kurahashi, Josephine Lee, Sean Metzger, Angela C. Pao, and Karen Shimakawa. The First National Asian American Theater Festival . 283–285. Black, Cheryl. Trifles. Susan Glaspell. 646–649. ———. The Outside. Susan Glaspell. 646–649. ———. Suppressed Desires. Susan Glaspell and George Cram Cook. 646–649. ———. Chains of Dew. Susan Glaspell. 646–649. Blackadder, Neil. Waves. Devised by Katie Mitchell and the company. 139–141. ———. Attempts on Her Life. Martin Crimp. 139–141. Brandon, James M. Thyestes. Lucius Annæus Seneca. 312–314. Brown, Rich. Blahblahblahbang (A Pistol Fit in One Act). Matt Starritt, with the W.E.T. Ensemble. 478–479. Canavan, Claire. Illumination. Sally Jacques and Blue Lapis Light. 473–475. 702 / Author’s Name Here 702 / Index to Volume 60 Cermatori, Joseph P. The Cenci. Antonin Artaud . 668–670. Chansky, Dorothy. Oh, the Humanity and Other Exclamations. Will Eno. 459–460. Chirico, Miriam. The Evildoers. David Adjmi. 467–469. Choate, E. Teresa. The Coast of Utopia. Tom Stoppard. 133–137. Crochunis, Thomas C. The Mollusc. Hubert Henry Davies. 309–310. Croft, Clare. Tempo de Verão. Marcia Milhazes. 127–128. Dolan, Jill. Time Is the Mercy of Eternity. Deb Margolin. 649–650. Dougherty, Laura R. The Pinch Brothers (Also Sisters) in: “The Bawdy House.” Jonny Porkpie. 631–633. Douglas, Jennifer D. Fragments. Samuel Beckett . 465–467. Earnest, Steve. A Moon for the Misbegotten. Eugene O’Neill. 148–149. Eckard, Bonnie J. Who Do You Think You Are. SITI Company. 672–674. Evans, Rachel. Edward II. Christopher Marlowe . 482–484. Fischer, Carol A. Adding Machine, a Musical . Music by Joshua Schmidt, libretto by Jason Loewith and Joshua Schmidt. 643–646. Godwin, Laura Grace. The Glorious Moment: The Histories. William Shakespeare. 484–489. Goodlander, Jennifer. Beckett Shorts. Samuel Beckett. 463–465. Griffin, Bradley W. Black Watch. Gregory Burke. 469–471. Harrick...