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In this Issue

Table of Contents

  1. Artaud, Germ Theory, and the Theatre of Contagion
  2. Stanton B. Garner
  3. pp. 1-14
  4. DOI: https://doi.org/10.1353/tj.2006.0072
  5. restricted access
  1. Stories from under Occupation: Performing the Palestinian Experience
  2. Hala Khamis Nassar
  3. pp. 15-37
  4. DOI: https://doi.org/10.1353/tj.2006.0083
  5. restricted access
  1. Figuring the "Spells" / Spelling the Figures: Suzan-Lori Parks's "Scene of Love (?)"
  2. Jennifer Johung
  3. pp. 39-52
  4. DOI: https://doi.org/10.1353/tj.2006.0077
  5. restricted access
  1. Rape's Metatheatrical Return: Rehearsing Sexual Violence Among the Early Moderns
  2. Kim Solga
  3. pp. 53-72
  4. DOI: https://doi.org/10.1353/tj.2006.0089
  5. restricted access
  1. Metatheatre and Authentication through Metonymic Compression in John Mighton's Possible Worlds
  2. Jenn Stephenson
  3. pp. 73-93
  4. DOI: https://doi.org/10.1353/tj.2006.0090
  5. restricted access
  1. Le dernier caravanserail (Odyssees) (review)
  2. E. Teresa Choate
  3. pp. 95-99
  4. DOI: https://doi.org/10.1353/tj.2006.0064
  5. restricted access
  1. Tierno Bokar (review)
  2. Shawn-Marie Garrett
  3. pp. 99-101
  4. DOI: https://doi.org/10.1353/tj.2006.0073
  5. restricted access
  1. Nine Parts of Desire (review)
  2. Maria Beach
  3. pp. 102-103
  4. DOI: https://doi.org/10.1353/tj.2006.0059
  5. restricted access
  1. The Hungry Woman: A Mexican Medea (review)
  2. Nicole Eschen
  3. pp. 103-106
  4. DOI: https://doi.org/10.1353/tj.2006.0070
  5. restricted access
  1. Dress Suits to Hire (review)
  2. Gwendolyn Alker
  3. pp. 106-109
  4. DOI: https://doi.org/10.1353/tj.2006.0057
  5. restricted access
  1. Cleansed (review)
  2. Steve Earnest
  3. pp. 110-112
  4. DOI: https://doi.org/10.1353/tj.2006.0068
  5. restricted access
  1. Snuff (review)
  2. Joanne Zerdy
  3. pp. 112-115
  4. DOI: https://doi.org/10.1353/tj.2006.0096
  5. restricted access
  1. A "T" Stop Named Denial (review)
  2. Anne Fleche
  3. pp. 115-117
  4. DOI: https://doi.org/10.1353/tj.2006.0071
  5. restricted access
  1. The Constant Wife (review)
  2. Robert F. Gross
  3. pp. 117-121
  4. DOI: https://doi.org/10.1353/tj.2006.0075
  5. restricted access
  1. Quartet (review)
  2. Steve Matuszak
  3. pp. 121-124
  4. DOI: https://doi.org/10.1353/tj.2006.0081
  5. restricted access
  1. Believe What You Will (review)
  2. Richard G. Scharine
  3. pp. 124-126
  4. DOI: https://doi.org/10.1353/tj.2006.0086
  5. restricted access
  1. Sejanus: His Fall, and: Sir Thomas More (review)
  2. Kristen McDermott
  3. pp. 127-131
  4. DOI: https://doi.org/10.1353/tj.2006.0082
  5. restricted access
  1. Perseus (review)
  2. Norman Roessler
  3. pp. 131-134
  4. DOI: https://doi.org/10.1353/tj.2006.0084
  5. restricted access
  1. Love Suicides at Sonezaki (review)
  2. Mark Weidman
  3. pp. 134-136
  4. DOI: https://doi.org/10.1353/tj.2006.0093
  5. restricted access
  1. Thoroughly Modern Millie (review)
  2. Megan Sanborn Jones
  3. pp. 136-138
  4. DOI: https://doi.org/10.1353/tj.2006.0078
  5. restricted access
  1. Conversations with Judith Malina: A Lunatic Dialogue for One Player (review)
  2. Mark Seamon
  3. pp. 138-139
  4. DOI: https://doi.org/10.1353/tj.2006.0087
  5. restricted access
  1. The Network of Ensemble Theaters Festival (Netfest) (review)
  2. Jan Cohen-Cruz
  3. pp. 140-143
  4. DOI: https://doi.org/10.1353/tj.2006.0065
  5. restricted access
  1. The Contemporary Drama Festival (review)
  2. Martin Andrucki, Katalin Vecsey
  3. pp. 144-148
  4. DOI: https://doi.org/10.1353/tj.2006.0058
  5. restricted access
  1. Wole Soyinka: Politics, Poetics, Postcolonialism (review)
  2. Esiaba Irobi
  3. pp. 149-150
  4. DOI: https://doi.org/10.1353/tj.2006.0076
  5. restricted access
  1. The Past As Present in the Drama of August Wilson (review)
  2. Harvey Young
  3. pp. 150-151
  4. DOI: https://doi.org/10.1353/tj.2006.0094
  5. restricted access
  1. Susan Glaspell: Her Life and Times (review)
  2. Cheryl Black
  3. pp. 151-153
  4. DOI: https://doi.org/10.1353/tj.2006.0061
  5. restricted access
  1. Staging History: Brecht's Social Concepts of Ideology (review)
  2. Norman Roessler
  3. pp. 153-154
  4. DOI: https://doi.org/10.1353/tj.2006.0085
  5. restricted access
  1. Butting Out: Reading Resistive Choreographies Through Works by Jawole Willa Jo Zollar and Chandralekha (review)
  2. Thomas DeFrantz
  3. pp. 154-155
  4. DOI: https://doi.org/10.1353/tj.2006.0067
  5. restricted access
  1. Women, Modernism, and Performance (review)
  2. Dorothy Chansky
  3. pp. 155-157
  4. DOI: https://doi.org/10.1353/tj.2006.0063
  5. restricted access
  1. Drawing on Beckett: Portraits, Performances, and Cultural Contexts (review)
  2. Natka Bianchini
  3. pp. 157-158
  4. DOI: https://doi.org/10.1353/tj.2006.0060
  5. restricted access
  1. Design for Living: Alfred Lunt and Lynn Fontanne: A Biography, and: Margaret Webster: A Life in the Theater (review)
  2. Barbara Mackey
  3. pp. 158-160
  4. DOI: https://doi.org/10.1353/tj.2006.0080
  5. restricted access
  1. Andrew Lloyd Webber (review)
  2. Annette Thornton
  3. pp. 160-161
  4. DOI: https://doi.org/10.1353/tj.2006.0092
  5. restricted access
  1. Anton Chekhov at the Moscow Art Theatre: Archive Illustrations of the Original Productions (review)
  2. Felicia Hardison Londré
  3. pp. 161-162
  4. DOI: https://doi.org/10.1353/tj.2006.0079
  5. restricted access
  1. The Tennessee Williams Encyclopedia (review)
  2. Mark Zelinsky
  3. pp. 162-163
  4. DOI: https://doi.org/10.1353/tj.2006.0095
  5. restricted access
  1. Play by Play: Theater Essays & Reviews, 1993-2002 (review)
  2. Tom Smith
  3. pp. 163-165
  4. DOI: https://doi.org/10.1353/tj.2006.0088
  5. restricted access
  1. Tragedy and Metatheatre: Essays on Dramatic Form (review)
  2. Jenn Stephenson
  3. pp. 165-166
  4. DOI: https://doi.org/10.1353/tj.2006.0091
  5. restricted access
  1. Death, the One and the Art of Theatre (review)
  2. Adrian Curtin
  3. pp. 166-167
  4. DOI: https://doi.org/10.1353/tj.2006.0066
  5. restricted access
  1. Erratum
  3. p. vi
  4. DOI: https://doi.org/10.1353/tj.2006.0069
  5. restricted access
  1. Editorial Comment
  2. Jean Graham-Jones
  3. pp. ix-x
  4. DOI: https://doi.org/10.1353/tj.2006.0074
  5. restricted access
  1. Books Received
  3. pp. 168-172
  4. DOI: https://doi.org/10.1353/tj.2006.0062
  5. restricted access