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Table of Contents

  1. Ancient Tragedy and the Metaphor of Katharsis
  2. Page DuBois
  3. pp. 19-24
  4. DOI: https://doi.org/10.1353/tj.2002.0008
  5. restricted access
  1. Scaffolds of Treason in Macbeth
  2. Rebecca Lemon
  3. pp. 25-43
  4. DOI: https://doi.org/10.1353/tj.2002.0020
  5. restricted access
  1. T-shirts and Holograms: Corporeal Fetishes in AIDS Choreography, c. 1989
  2. David Gere
  3. pp. 45-62
  4. DOI: https://doi.org/10.1353/tj.2002.0015
  5. restricted access
  1. Remembering Selena, Re-membering Latinidad
  2. Deborah Parédez
  3. pp. 63-83
  4. DOI: https://doi.org/10.1353/tj.2002.0024
  5. restricted access
  1. The Value of Silence
  2. David L. Eng
  3. pp. 85-94
  4. DOI: https://doi.org/10.1353/tj.2002.0009
  5. restricted access
  1. A Forum on Theatre and Tragedy: A Response to September 11, 2001
  2. Diana Taylor, Una Chaudhuri, William B. Worthen, Jennifer DeVere Brody, Harry Justin Elam, Amy Villarejo, Jill Dolan, Sue-Ellen Case, Jill Lane, Antonio Prieto, Freddie Rokem, Ann Pellegrini, Christopher B. Balme, Alicia Arrizon, Sharon Patricia Holland, Brian Singleton, Michal Kobialka, José Esteban Muñoz, Karen Shimakawa, Robert Vorlicky, Josh Kun, Roberta Uno, Alice Raynor, Richard Schechner, Marvin A. Carlson, Janelle G. Reinelt, Elin Diamond
  3. pp. 95-138
  4. DOI: https://doi.org/10.1353/tj.2002.0012
  5. restricted access
  1. King Lear, and: Howard Katz (review)
  2. Stanton B. Garner
  3. pp. 139-143
  4. DOI: https://doi.org/10.1353/tj.2002.0014
  5. restricted access
  1. Agamemnon and His Daughters (review)
  2. Helene P. Foley
  3. pp. 143-145
  4. DOI: https://doi.org/10.1353/tj.2002.0011
  5. restricted access
  1. The House of Bernarda Alba (review)
  2. Jeffrey Stephens
  3. pp. 145-147
  4. DOI: https://doi.org/10.1353/tj.2002.0030
  5. restricted access
  1. Tod eines Handlungsreisenden (Death of a Salesman) (review)
  2. Norman Roessler
  3. pp. 147-149
  4. DOI: https://doi.org/10.1353/tj.2002.0027
  5. restricted access
  1. The Dying Gaul (review)
  2. Steve Reynolds
  3. pp. 149-150
  4. DOI: https://doi.org/10.1353/tj.2002.0026
  5. restricted access
  1. Big Love (review)
  2. Catherine Scott Burriss
  3. pp. 150-152
  4. DOI: https://doi.org/10.1353/tj.2002.0003
  5. restricted access
  1. Chaucer in Rome (review)
  2. Jordan Schildcrout
  3. pp. 152-154
  4. DOI: https://doi.org/10.1353/tj.2002.0029
  5. restricted access
  1. 25th Annual Humana Festival of New American Plays (review)
  2. Scott T. Cummings
  3. pp. 154-156
  4. DOI: https://doi.org/10.1353/tj.2002.0006
  5. restricted access
  1. The Tragedy of Hamlet (review)
  2. Kenneth J. Cerniglia
  3. pp. 156-158
  4. DOI: https://doi.org/10.1353/tj.2002.0004
  5. restricted access
  1. This England: The Histories (review)
  2. William T. Liston
  3. pp. 158-160
  4. DOI: https://doi.org/10.1353/tj.2002.0021
  5. restricted access
  1. The Lieutenant of Inishmore (review)
  2. Joan Fitzpatrick Dean
  3. pp. 161-163
  4. DOI: https://doi.org/10.1353/tj.2002.0007
  5. restricted access
  1. Mother Clap's Molly House (review)
  2. Jen Harvie
  3. pp. 163-166
  4. DOI: https://doi.org/10.1353/tj.2002.0016
  5. restricted access
  1. Female Acts in Greek Tragedy (review)
  2. Mary-Kay Gamel
  3. pp. 167-168
  4. DOI: https://doi.org/10.1353/tj.2002.0013
  5. restricted access
  1. The Athenian Institution of the Khoregia: The Chorus, The City and The Stage (review)
  2. David S. Escoffery
  3. pp. 168-169
  4. DOI: https://doi.org/10.1353/tj.2002.0010
  5. restricted access
  1. Exorcising History: Argentine Theater Under Dictatorship (review)
  2. Margo Milleret
  3. pp. 169-171
  4. DOI: https://doi.org/10.1353/tj.2002.0023
  5. restricted access
  1. Arguments for a Theatre, and: Howard Barkers's Theatre of Seduction (review)
  2. David Kilpatrick
  3. pp. 171-172
  4. DOI: https://doi.org/10.1353/tj.2002.0019
  5. restricted access
  1. A Century of Irish Drama: Widening the Stage (review)
  2. Paige Reynolds
  3. pp. 173-174
  4. DOI: https://doi.org/10.1353/tj.2002.0025
  5. restricted access
  1. Ireland's National Theaters: Political Performance and the Origins of the Irish Dramatic Movement (review)
  2. Karin Maresh
  3. pp. 174-175
  4. DOI: https://doi.org/10.1353/tj.2002.0022
  5. restricted access
  1. Modern Dramatists: A Casebook of Major British, Irish and American Playwrights (review)
  2. Mary Trotter
  3. pp. 175-176
  4. DOI: https://doi.org/10.1353/tj.2002.0031
  5. restricted access
  1. Enter the Body: Women and Representation on Shakespeare's Stage (review)
  2. Beate Hein Bennett
  3. pp. 177-178
  4. DOI: https://doi.org/10.1353/tj.2002.0001
  5. restricted access
  1. The Moscow State Yiddish Theater: Jewish Culture on the Soviet Stage (review)
  2. Nina Hein
  3. pp. 178-179
  4. DOI: https://doi.org/10.1353/tj.2002.0017
  5. restricted access
  1. Performance Analysis: An Introductory Casebook (review)
  2. Jonathan L. Chambers
  3. pp. 179-180
  4. DOI: https://doi.org/10.1353/tj.2002.0005
  5. restricted access
  1. Extreme Exposure: An Anthology of Solo Performance Texts From the Twentieth Century (review)
  2. J. Lucinda Kidder
  3. pp. 180-181
  4. DOI: https://doi.org/10.1353/tj.2002.0018
  5. restricted access
  1. Introduction: Tragedy
  2. David Román
  3. pp. 1-17
  4. DOI: https://doi.org/10.1353/tj.2002.0028
  5. restricted access
  1. Books Received
  3. pp. 182-186
  4. DOI: https://doi.org/10.1353/tj.2002.0002
  5. restricted access