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Table of Contents

  1. 'To allure vnto their loue': Iconoclasm and Striptease in Lewis Wager's The Life and Repentaunce of Marie Magdalene
  2. Patricia Badir
  3. pp. 1-20
  4. DOI: https://doi.org/10.1353/tj.1999.0001
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  1. "Hymen's Monkey Love": The Concealed Fancies and Female Sexual Initiation
  2. Catherine B. Burroughs
  3. pp. 21-31
  4. DOI: https://doi.org/10.1353/tj.1999.0009
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  1. A Spindle for the Battle: Feminism, Myth and the Woman-Nation in Irish Revival Drama
  2. Maria-Elena Doyle
  3. pp. 33-46
  4. DOI: https://doi.org/10.1353/tj.1999.0010
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  1. Performing Justice: The Trials of Olympe de Gouges
  2. Janie Vanpee
  3. pp. 47-65
  4. DOI: https://doi.org/10.1353/tj.1999.0018
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  1. Mythos
  2. Ian Watson
  3. pp. 67-68
  4. DOI: https://doi.org/10.1353/tj.1999.0023
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  1. An Enemy of the People
  2. Tom Woldt
  3. pp. 69-71
  4. DOI: https://doi.org/10.1353/tj.1999.0014
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  1. Shakespeare's R&J
  2. James N. Loehlin
  3. pp. 71-72
  4. DOI: https://doi.org/10.1353/tj.1999.0013
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  1. Measure for Measure
  2. Nancy Taylor
  3. pp. 73-76
  4. DOI: https://doi.org/10.1353/tj.1999.0020
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  1. Uncle Vanya
  2. Telory Williamson
  3. pp. 76-78
  4. DOI: https://doi.org/10.1353/tj.1999.0015
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  1. Cymbeline
  2. Janet L. Gupton
  3. pp. 78-80
  4. DOI: https://doi.org/10.1353/tj.1999.0021
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  1. Standard Bank National Arts Festival
  2. Stephanie Marlin-Curiel
  3. pp. 80-82
  4. DOI: https://doi.org/10.1353/tj.1999.0022
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  1. The 22nd Annual Humana Festival of New American Plays
  2. Jeffrey Eric Jenkins
  3. pp. 82-84
  4. DOI: https://doi.org/10.1353/tj.1999.0016
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  1. Freak
  2. Lee Papa
  3. pp. 85-86
  4. DOI: https://doi.org/10.1353/tj.1999.0019
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  1. Happy Days
  2. Iris Smith
  3. pp. 86-88
  4. DOI: https://doi.org/10.1353/tj.1999.0012
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  1. The Griot Voice (La Voix du Griot)
  2. Cecilia J. Pang
  3. pp. 88-89
  4. DOI: https://doi.org/10.1353/tj.1999.0017
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  1. Between the Body and the Flesh: Performing Sadomasochism
  2. Heath A. Diehl
  3. pp. 91-92
  4. DOI: https://doi.org/10.1353/tj.1999.0005
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  1. Our Moonlight Revels: A Midsummer Night's Dream in the Theatre
  2. William B. Worthen
  3. pp. 92-94
  4. DOI: https://doi.org/10.1353/tj.1999.0008
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  1. The Secret Art of Antonin Artaud
  2. Brian Singleton
  3. pp. 94-95
  4. DOI: https://doi.org/10.1353/tj.1999.0004
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  1. The Ends of Performance
  2. Ann Daly
  3. pp. 95-97
  4. DOI: https://doi.org/10.1353/tj.1999.0006
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  1. A New History of Early English Drama
  2. Odai Johnson
  3. p. 97
  4. DOI: https://doi.org/10.1353/tj.1999.0003
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  1. Takarazuka: Sexual Politics and Popular Culture in Modern Japan
  2. Josephine D. Lee
  3. pp. 99-100
  4. DOI: https://doi.org/10.1353/tj.1999.0007
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  1. Comment
  2. Loren Kruger
  3. pp. iv-v
  4. DOI: https://doi.org/10.1353/tj.1999.0011
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  1. Books Received
  3. pp. 100-103
  4. DOI: https://doi.org/10.1353/tj.1999.0002
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