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Table of Contents

  1. Blackface, Rape, and Beyond: Rehearsing Interracial Dialogue in Sally's Rape
  2. Deborah Thompson
  3. pp. 123-139
  4. DOI: https://doi.org/10.1353/tj.1996.0044
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  1. "This Fundamental Challenge to Identity": Reproduction and Representation in the Drama of Adrienne Kennedy
  2. Claudia Barnett
  3. pp. 141-155
  4. DOI: https://doi.org/10.1353/tj.1996.0047
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  1. Re-staging Roy: Citizen Cohn and the Search for Xanadu
  2. Stephen J. Bottoms
  3. pp. 157-184
  4. DOI: https://doi.org/10.1353/tj.1996.0023
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  1. Household Property/Stage Property: Henslowe as Pawnbroker
  2. Natasha Korda
  3. pp. 185-195
  4. DOI: https://doi.org/10.1353/tj.1996.0024
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  1. Magical Properties: Vision, Possession, and Wonder in Othello
  2. Paul Edward Yachnin
  3. pp. 197-208
  4. DOI: https://doi.org/10.1353/tj.1996.0046
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  1. Doctoral Projects in Progress in Theatre Arts, 1996
  2. Philip G. Hill
  3. pp. 209-213
  4. DOI: https://doi.org/10.1353/tj.1996.0030
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  1. Arcadia (review)
  2. N. M. Hoffman
  3. pp. 215-216
  4. DOI: https://doi.org/10.1353/tj.1996.0041
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  1. Arcadia (review)
  2. Paul Haxo
  3. pp. 216-218
  4. DOI: https://doi.org/10.1353/tj.1996.0042
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  1. Firmament (review)
  2. Bevya Rosten
  3. pp. 219-221
  4. DOI: https://doi.org/10.1353/tj.1996.0043
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  1. Funnyhouse of a Negro. A Movie Star Has to Star in Black and White (review)
  2. David Willinger
  3. pp. 221-223
  4. DOI: https://doi.org/10.1353/tj.1996.0038
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  1. Birth and After Birth (review)
  2. Helena M. White
  3. pp. 223-225
  4. DOI: https://doi.org/10.1353/tj.1996.0036
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  1. Buried Child (review)
  2. Kathleen A. McLennan
  3. pp. 225-226
  4. DOI: https://doi.org/10.1353/tj.1996.0040
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  1. Old Times, and: Three Short Plays (review)
  2. Mark Pizzato
  3. pp. 227-229
  4. DOI: https://doi.org/10.1353/tj.1996.0039
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  1. Paul Bunyan (review)
  2. Mary Louise Hill
  3. pp. 229-231
  4. DOI: https://doi.org/10.1353/tj.1996.0033
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  1. Peer Gynt (review)
  2. Kirk Andrew Everist
  3. pp. 231-232
  4. DOI: https://doi.org/10.1353/tj.1996.0037
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  1. Het Theatre Festival (review)
  2. Grant Fletcher McKernie
  3. pp. 232-234
  4. DOI: https://doi.org/10.1353/tj.1996.0035
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  1. She Stoops to Conquer (review)
  2. David Carnegie
  3. pp. 235-236
  4. DOI: https://doi.org/10.1353/tj.1996.0034
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  1. Staging Place: The Geography of Modern Drama (review)
  2. Jeanne M. Colleran
  3. pp. 237-238
  4. DOI: https://doi.org/10.1353/tj.1996.0027
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  1. The Paper Canoe, and: The Actor's Way, and: Towards a Third Theater (review)
  2. Ellen W. Kaplan
  3. pp. 238-241
  4. DOI: https://doi.org/10.1353/tj.1996.0026
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  1. Elizabeth Robins: Staging a Life, 1862-1952, and: Elizabeth Robins, 1862-1952: Actress, Novelist, Feminist (review)
  2. Rebecca D'Monté
  3. pp. 241-242
  4. DOI: https://doi.org/10.1353/tj.1996.0029
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  1. Bodied Spaces: Phenomenology and Performance in Contemporary Drama, and: Modern Drama and the Rhetoric of Theatre (review)
  2. Robert F. Gross
  3. pp. 243-244
  4. DOI: https://doi.org/10.1353/tj.1996.0028
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  1. Temple Slave, and: Whores of Lost Atlantis (review)
  2. Joel G. Fink
  3. pp. 245-246
  4. DOI: https://doi.org/10.1353/tj.1996.0031
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  1. Happenings and Other Acts, and: Greenwich Village 1963: Avant-Garde Performance and the Effervescent Body (review)
  2. Marla Carlson
  3. pp. 246-248
  4. DOI: https://doi.org/10.1353/tj.1996.0032
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  1. The Cambridge Guide to African and Caribbean Theatre (review)
  2. Jeffrey Leptak-Moreau
  3. pp. 248-249
  4. DOI: https://doi.org/10.1353/tj.1996.0025
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  1. Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African-American and Caribbean Drama (review)
  2. Tina Redd
  3. pp. 249-251
  4. DOI: https://doi.org/10.1353/tj.1996.0048
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  1. Comment
  2. John Rouse
  3. p. iv
  4. DOI: https://doi.org/10.1353/tj.1996.0045
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