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Browse Book and Journal Content on Project MUSE

Volume 66, Number 2, May 2014

Table of Contents

Editorial Comment

pp. ix-x | DOI: 10.1353/tj.2014.0040


Relics of Bioart: Ethics and Messianic Aesthetics in Performance Documentation

pp. 183-205 | DOI: 10.1353/tj.2014.0046

The Theatre and Its Screen Double

pp. 207-225 | DOI: 10.1353/tj.2014.0052

Misogyny, Maids, and Murderesses: Toward a Feminist Reappraisal of Jean Genet’s Les Bonnes

pp. 227-240 | DOI: 10.1353/tj.2014.0058

“Come and see what we do”: Contemporary Migrant Performances in Athens, Greece

pp. 241-255 | DOI: 10.1353/tj.2014.0064

Performance Reviews

Testimonium by Matthew Goulish (review)

pp. 257-260 | DOI: 10.1353/tj.2014.0069

Apátrida, Doscientos Años y Unos Meses by Rafael Spregelburd (review)

pp. 260-261 | DOI: 10.1353/tj.2014.0038

12-Spartenhaus Directed by Vegard Vinge, Ida Müller, and Trond Reinholdtsen (review)

pp. 262-263 | DOI: 10.1353/tj.2014.0044

Ciara by David Harrower, and: The Events by David Greig (review)

pp. 264-266 | DOI: 10.1353/tj.2014.0050

Head of Passes by Tarell Alvin McCraney (review)

pp. 266-268 | DOI: 10.1353/tj.2014.0056

Hungry Woman by Josefina López (review)

pp. 268-270 | DOI: 10.1353/tj.2014.0062

Love in Afghanistan by Charles Randolph-Wright (review)

pp. 270-272 | DOI: 10.1353/tj.2014.0067

The Tallest Tree in the Forest by Daniel Beaty (review)

pp. 272-274 | DOI: 10.1353/tj.2014.0036

Ri Kōran by Asari Keita (review)

pp. 274-276 | DOI: 10.1353/tj.2014.0042

The Jungle Book directed by Mary Zimmerman (review)

pp. 276-278 | DOI: 10.1353/tj.2014.0048

The Two Character Play by Tennessee Williams (review)

pp. 278-279 | DOI: 10.1353/tj.2014.0054

Mary Stuart by Friedrich Schiller, and: Romeo and Juliet by William Shakespeare (review)

pp. 279-283 | DOI: 10.1353/tj.2014.0060

The Nance by Douglas Carter Beane (review)

pp. 283-286 | DOI: 10.1353/tj.2014.0065

Matsukaze by Toshio Hosokawa, and: Shun-Kin Directed by Simon McBurney (review)

pp. 286-290 | DOI: 10.1353/tj.2014.0070

Book Reviews

Review Essay

Theatre and the Vanguards of the Arab Spring

pp. 291-300 | DOI: 10.1353/tj.2014.0039

Religion, Theatre, and Performance: Acts of Faith Edited by Lance Gharavi (review)

pp. 301-302 | DOI: 10.1353/tj.2014.0045

Sensational Devotion: Evangelical Performance in Twenty-First-Century America by Jill Stevenson (review)

pp. 302-303 | DOI: 10.1353/tj.2014.0051

Wonder of Wonders: A Cultural History of Fiddler on the Roof by Alisa Solomon (review)

pp. 303-304 | DOI: 10.1353/tj.2014.0057

Theatrical Liberalism: Jews and Popular Entertainment in America by Andrea Most (review)

pp. 304-306 | DOI: 10.1353/tj.2014.0063

Theatre and War: Theatrical Responses Since 1991 by Jeanne Colleran (review)

pp. 306-307 | DOI: 10.1353/tj.2014.0068

Staging Age: The Performance of Age in Theatre, Dance, and Film Edited by Valerie Barnes Lipscomb and Leni Marshall (review)

pp. 307-308 | DOI: 10.1353/tj.2014.0037

The Politics of Rape: Sexual Atrocity, Propaganda Wars, and The Restoration Stage by Jennifer L. Airey (review)

pp. 308-310 | DOI: 10.1353/tj.2014.0043

An Actress Prepares: Women and “The Method” by Rosemary Malague (review)

pp. 310-311 | DOI: 10.1353/tj.2014.0049

Performing Queer Latinidad: Dance, Sexulity, Politics by Ramón H. Rivera-Servera (review)

pp. 311-312 | DOI: 10.1353/tj.2014.0055

David Mamet and American Macho by Arthur Holmberg (review)

pp. 312-314 | DOI: 10.1353/tj.2014.0061

Taking it to the Bridge: Music as Performance Edited by Nicholas Cook and Richard Pettengill (review)

pp. 314-315 | DOI: 10.1353/tj.2014.0066

The Post-Traumatic Theatre of Grotowski and Kantor: History and Holocaust in Akropolis and Dead Class by Magda Romanska (review)

pp. 315-316 | DOI: 10.1353/tj.2014.0035

The Piscator Notebook by Judith Malina (review)

pp. 316-318 | DOI: 10.1353/tj.2014.0041

As If: An Autobiography, Volume 1 by Herbert Blau, and: Reality Principles: From The Absurd to The Virtual by Herbert Blau (review)

pp. 318-319 | DOI: 10.1353/tj.2014.0047

Books Received

pp. 320-328 | DOI: 10.1353/tj.2014.0053

Doctoral Projects in Progress in Theatre Arts, 2014

pp. 331-335 | DOI: 10.1353/tj.2014.0059

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