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In this Issue

Table of Contents

  1. Modernism, “Tradition,” and History in the Postcolony: Vijay Tendulkar’s Ghashiram kotwal (1972)
  2. Aparna Dharwadker
  3. pp. 467-487
  4. DOI: https://doi.org/10.1353/tj.2013.0111
  5. restricted access
  1. A Modernist Audience: The Kawakami Troupe, Matsuki Bunkio, and Boston Japonisme
  2. Tara Rodman
  3. pp. 489-505
  4. DOI: https://doi.org/10.1353/tj.2013.0116
  5. restricted access
  1. “An Advance to New”: Interstitial Modernism and Toronto’s Theatre of Action, 1936–40
  2. Alan Filewod
  3. pp. 507-522
  4. DOI: https://doi.org/10.1353/tj.2013.0121
  5. restricted access
  1. Negotiating Theatrical Modernism in the Arab World
  2. Marvin Carlson
  3. pp. 523-535
  4. DOI: https://doi.org/10.1353/tj.2013.0126
  5. restricted access
  1. Waiting for Godot in New Orleans: Modernist Autonomy and Transnational Performance in Paul Chan’s Beckett
  2. Alys Moody
  3. pp. 537-557
  4. DOI: https://doi.org/10.1353/tj.2013.0131
  5. restricted access
  1. Rutherford and Son by Githa Sowerby, and: The Stepmother by Githa Sowerby (review)
  2. J. Ellen Gainor
  3. pp. 559-561
  4. DOI: https://doi.org/10.1353/tj.2013.0103
  5. restricted access
  1. American Realness curated by Thomas Benjamin Snapp Pryor (review)
  2. Clare Croft
  3. pp. 562-565
  4. DOI: https://doi.org/10.1353/tj.2013.0109
  5. restricted access
  1. Mies Julie by August Strindberg, and: Easter by August Strindberg, and: The Dance of Death by August Strindberg (review)
  2. Sarah Balkin
  3. pp. 565-568
  4. DOI: https://doi.org/10.1353/tj.2013.0114
  5. restricted access
  1. Golden Boy by Clifford Odets, and: Picnic by William Inge (review)
  2. Michael C. O’Neill
  3. pp. 568-571
  4. DOI: https://doi.org/10.1353/tj.2013.0119
  5. restricted access
  1. The Master and Margarita adapted by Simon McBurney, Edward Kemp (review)
  2. Stuart Young
  3. pp. 572-574
  4. DOI: https://doi.org/10.1353/tj.2013.0124
  5. restricted access
  1. red, black, & GREEN: a blues by Marc Bamuthi Joseph (review)
  2. Arden Elizabeth Thomas
  3. pp. 574-576
  4. DOI: https://doi.org/10.1353/tj.2013.0129
  5. restricted access
  1. Ruff by Peggy Shaw and Lois Weaver (review)
  2. Benjamin Gillespie
  3. pp. 576-577
  4. DOI: https://doi.org/10.1353/tj.2013.0101
  5. restricted access
  1. Ganesh Versus the Third Reich by Back to Back Theatre (review)
  2. Patrick McKelvey
  3. pp. 578-580
  4. DOI: https://doi.org/10.1353/tj.2013.0107
  5. restricted access
  1. King Kong by Craig Lucas and Marius de Vries (review)
  2. Elizabeth Jochum
  3. pp. 580-582
  4. DOI: https://doi.org/10.1353/tj.2013.0112
  5. restricted access
  1. January Joiner: A Weight Loss Horror Comedy by Laura Jacqmin (review)
  2. Jennifer-Scott Mobley
  3. pp. 582-584
  4. DOI: https://doi.org/10.1353/tj.2013.0117
  5. restricted access
  1. The Glass Menagerie by Tennessee Williams (review)
  2. Kenneth Elliott
  3. pp. 584-585
  4. DOI: https://doi.org/10.1353/tj.2013.0122
  5. restricted access
  1. 37th Annual Humana Festival of New American Plays (review)
  2. Scott T. Cummings
  3. pp. 586-589
  4. DOI: https://doi.org/10.1353/tj.2013.0127
  5. restricted access
  1. A Cage of Fireflies by Daniel Akiyama (review)
  2. Stefani Overman-Tsai
  3. pp. 589-591
  4. DOI: https://doi.org/10.1353/tj.2013.0132
  5. restricted access
  1. The Transformative Aesthetics of the Gesamtkunstwerk/Total Work of Art as the Specter Haunting Modernism
  2. Erika Fischer-Lichte
  3. pp. 593-603
  4. DOI: https://doi.org/10.1353/tj.2013.0104
  5. restricted access
  1. Strindberg: A Life by Sue Prideaux, and: August Strindberg: Selected Plays ed. by Ann-Charlotte Gavel Adams and Anna Westerståhl Stenport (review)
  2. David Krasner
  3. pp. 605-607
  4. DOI: https://doi.org/10.1353/tj.2013.0110
  5. restricted access
  1. Shaw and Feminisms: On Stage and Off ed. by D. A. Hadfield and Jean Reynolds (review)
  2. Charles Joseph del Dotto
  3. pp. 607-608
  4. DOI: https://doi.org/10.1353/tj.2013.0115
  5. restricted access
  1. Diaghilev and the Ballets Russes, 1909–1929: When Art Danced with Music ed. by Jane Pritchard, and: Diaghilev: A Life by Sjeng Scheijen, and: René Blum and the Ballets Russes: In Search of a Lost Life by Judith Chazin-Bennahum (review)
  2. Christine Knoblauch-O’Neal, Julia A. Walker
  3. pp. 608-611
  4. DOI: https://doi.org/10.1353/tj.2013.0120
  5. restricted access
  1. Victory Over the Sun: The World’s First Futurist Opera ed. and trans. by Rosamund Bartlett and Sarah Dadswell (review)
  2. Catherine Schuler
  3. pp. 611-614
  4. DOI: https://doi.org/10.1353/tj.2013.0125
  5. restricted access
  1. Avant-Garde Performance and Material Exchange: Vectors of the Radical ed. by Mike Sell (review)
  2. Roger Bechtel
  3. pp. 614-615
  4. DOI: https://doi.org/10.1353/tj.2013.0130
  5. restricted access
  1. The Jewish Kulturbund Theatre Company in Nazi Berlin by Rebecca Rovit (review)
  2. Christine Korte
  3. pp. 615-617
  4. DOI: https://doi.org/10.1353/tj.2013.0102
  5. restricted access
  1. Jews and the Making of Modern German Theatre ed. by Jeanette R. Malkin and Freddie Rokem (review)
  2. Erika Hughes
  3. pp. 617-618
  4. DOI: https://doi.org/10.1353/tj.2013.0108
  5. restricted access
  1. Daring to Play: A Brecht Companion by Manfred Wekwerth (review)
  2. James M. Brandon
  3. pp. 618-619
  4. DOI: https://doi.org/10.1353/tj.2013.0113
  5. restricted access
  1. Marc Blitzstein: His Life, His Work, His World by Howard Pollack (review)
  2. Christin Essin
  3. pp. 619-620
  4. DOI: https://doi.org/10.1353/tj.2013.0118
  5. restricted access
  1. Staging Modern American Life: Popular Culture in the Experimental Theatre of Millay, Cummings, and Dos Passos by Thomas Fahy, and: The Theatre of E. E. Cummings ed. by George Firmage (review)
  2. Jonathan Chambers
  3. pp. 620-622
  4. DOI: https://doi.org/10.1353/tj.2013.0123
  5. restricted access
  1. Reading Modern Drama ed. by Alan Ackerman (review)
  2. Stefka Mihaylova
  3. pp. 622-624
  4. DOI: https://doi.org/10.1353/tj.2013.0128
  5. restricted access
  1. To Have or Have Not: Essays on Commerce and Capital in Modernist Theatre ed. by James Fisher (review)
  2. Michael Shane Boyle
  3. pp. 624-625
  4. DOI: https://doi.org/10.1353/tj.2013.0134
  5. restricted access
  1. Theatre Journal: Index to Volume 65
  3. pp. 631-637
  4. DOI: https://doi.org/10.1353/tj.2013.0106
  5. restricted access
  1. Congratulations!
  3. p. ix
  4. DOI: https://doi.org/10.1353/tj.2013.0133
  5. restricted access
  1. Editorial Comment: “Modernism”
  2. Penny Farfan
  3. pp. x-xiii
  4. DOI: https://doi.org/10.1353/tj.2013.0105
  5. restricted access