We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE
OR

Volume 64, Number 4, December 2012

Table of Contents

Editorial Comment

Editorial Comment: Queer Research in Performance

pp. 1-3

Special Issue Essays

Riding, Scarring, Knowing: A Queerly Embodied Performance Historiography

pp. 489-511

Queens “Campin’” Onstage: Performing Queerness in Mae West’s “Gay Plays”

pp. 513-532

“You’ve got that thing”: Cole Porter, Stephen Sondheim, and the Erotics of the List Song

pp. 533-548

The Ridiculous Performance of Taylor Mac

pp. 549-563

Queer Ecology / Contemporary Plays

pp. 565-582

Peformance Reviews

Broke House (review)

pp. 583-585

Tales of the City: A New Musical, and: The Normal Heart (review)

pp. 585-588

How I Learned to Drive (review)

pp. 589-590

Untitled Feminist Show (review)

pp. 590-592

Sontag: Reborn, and: You, My Mother (review)

pp. 592-595

Digital: A Love Story; Bully; Grand Theft Auto IV; Portal; Dys4ia (review)

pp. 595-598

Lay of the Land (review)

pp. 598-601

Edward II (review)

pp. 601-603

Burning Bluebeard (review)

pp. 603-605

Review Essay

LGBTQ: An Alphabet of Interested Writing

pp. 607-616

The Drama of Marriage: Gay Playwrights/Straight Unions from Oscar Wilde to the Present (review)

pp. 617-618

Uncloseting Drama: American Modernism and Queer Performance (review)

pp. 618-619

Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance (review)

pp. 619-620

Feminist Visions and Queer Futures in Postcolonial Drama: Community, Kinship, and Citizenship (review)

pp. 620-622

Lady Dicks and Lesbian Brothers: Staging the Unimaginable at the Wow Café Theatre (review)

pp. 622-623

Charles Ludlam and the Ridiculous Theatrical Company: Critical Analyses of 29 Plays (review)

pp. 623-625

Queer Theatre and the Legacy of Cal Yeomans (review)

pp. 625-626

Wendy and the Lost Boys: The Uncommon Life of Wendy Wasserstein, and: Reading the Plays of Wendy Wasserstein (review)

pp. 626-627

Look, I Made a Hat: Collected Lyrics (1981–2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany (review)

pp. 627-629

Irving Berlin’s American Musical Theater, and: The Irving Berlin Reader (review)

pp. 629-631

Sarah Kane in Context (review)

pp. 631-632

Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists (review)

pp. 632-633

Index to Volume 64

Index to Volume 64

pp. 639-644

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access