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In this Issue

Table of Contents

  1. Behind the Play: The World and Works of Nick Rongjun Yu
  2. Claire Conceison
  3. pp. 311-321
  4. DOI: https://doi.org/10.1353/tj.2011.0100
  5. restricted access
  1. Behind the Lie
  2. Nick Rongjun Yu, Claire Conceison
  3. pp. 323-364
  4. DOI: https://doi.org/10.1353/tj.2011.0071
  5. restricted access
  1. The Theatricality of Religious Rhetoric: Gao Xingjian and the Meaning of Exile
  2. Alexander C. Y. Huang
  3. pp. 365-379
  4. DOI: https://doi.org/10.1353/tj.2011.0077
  5. restricted access
  1. Staging the "Cartography of Paradox": The DMZ Special Exhibition at the Korean War Memorial, Seoul
  2. Suk-Young Kim
  3. pp. 381-402
  4. DOI: https://doi.org/10.1353/tj.2011.0083
  5. restricted access
  1. Pigs Might Fly: Dance in the Time of Swine Flu
  2. Paul Rae
  3. pp. 403-424
  4. DOI: https://doi.org/10.1353/tj.2011.0088
  5. restricted access
  1. India's Theatrical Modernity: Re-Theorizing Colonial, Postcolonial, and Diasporic Formations
  2. Aparna Dharwadker
  3. pp. 425-437
  4. DOI: https://doi.org/10.1353/tj.2011.0093
  5. restricted access
  1. Show Your Face!, and: Woyzeck on the Highveld (review)
  2. Joanne Zerdy
  3. pp. 439-442
  4. DOI: https://doi.org/10.1353/tj.2011.0098
  5. restricted access
  1. $pent (review)
  2. Robert Knopf
  3. pp. 442-444
  4. DOI: https://doi.org/10.1353/tj.2011.0069
  5. restricted access
  1. In the Wake, and: The Little Foxes (review)
  2. Theresa Smalec
  3. pp. 444-447
  4. DOI: https://doi.org/10.1353/tj.2011.0075
  5. restricted access
  1. K. (review)
  2. Erica A. Milkovich
  3. pp. 447-449
  4. DOI: https://doi.org/10.1353/tj.2011.0081
  5. restricted access
  1. Bluefinger: The Fall and Rise of Herman Brood (review)
  2. Robert B. Shimko
  3. pp. 449-451
  4. DOI: https://doi.org/10.1353/tj.2011.0086
  5. restricted access
  1. A Free Man of Color (review)
  2. William W. Demastes
  3. pp. 451-453
  4. DOI: https://doi.org/10.1353/tj.2011.0091
  5. restricted access
  1. An Iliad (review)
  2. Joseph P. Dexter
  3. pp. 453-455
  4. DOI: https://doi.org/10.1353/tj.2011.0096
  5. restricted access
  1. Rosmersholm (review)
  2. Sarah Balkin
  3. pp. 455-457
  4. DOI: https://doi.org/10.1353/tj.2011.0102
  5. restricted access
  1. The Piano Lesson (review)
  2. Soyica Diggs Colbert
  3. pp. 457-459
  4. DOI: https://doi.org/10.1353/tj.2011.0073
  5. restricted access
  1. Terminus (review)
  2. C. Austin Hil
  3. pp. 459-460
  4. DOI: https://doi.org/10.1353/tj.2011.0079
  5. restricted access
  1. Harriet Jacobs (review)
  2. Jocelyn L. Buckner
  3. pp. 460-462
  4. DOI: https://doi.org/10.1353/tj.2011.0084
  5. restricted access
  1. The Importance of Being Earnest (review)
  2. Felicia J. Ruf
  3. pp. 462-464
  4. DOI: https://doi.org/10.1353/tj.2011.0089
  5. restricted access
  1. A Midsummer Night's Dream (review)
  2. Yuko Kurahashi
  3. pp. 464-465
  4. DOI: https://doi.org/10.1353/tj.2011.0094
  5. restricted access
  1. We Have Always Lived in the Castle (review)
  2. Miriam Chirico
  3. pp. 466-468
  4. DOI: https://doi.org/10.1353/tj.2011.0099
  5. restricted access
  1. The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World (review)
  2. David Rolston
  3. pp. 469-470
  4. DOI: https://doi.org/10.1353/tj.2011.0070
  5. restricted access
  1. Chinese Shakespeares: Two Centuries of Cultural Exchange (review)
  2. Dan Venning
  3. pp. 470-471
  4. DOI: https://doi.org/10.1353/tj.2011.0076
  5. restricted access
  1. Illusive Utopia: Theater, Film, and Everyday Performance in North Korea (review)
  2. Joohee Park
  3. pp. 471-473
  4. DOI: https://doi.org/10.1353/tj.2011.0082
  5. restricted access
  1. Imagining Arab Womanhood: The Cultural Mythology of Veils, Harems, and Belly Dancers in the U.S. (review)
  2. Jocelyn Chng
  3. pp. 472-473
  4. DOI: https://doi.org/10.1353/tj.2011.0092
  5. restricted access
  1. The Japan of Pure Invention: Gilbert and Sullivan's The Mikado (review)
  2. Esther Kim Lee
  3. pp. 473-474
  4. DOI: https://doi.org/10.1353/tj.2011.0087
  5. restricted access
  1. Racial Geometries of the Black Atlantic, Asian Pacific and American Theatre (review)
  2. Matthew Shifflett
  3. pp. 475-476
  4. DOI: https://doi.org/10.1353/tj.2011.0097
  5. restricted access
  1. National Myth and Imperial Fantasy: Representations of Britishness on the Early Eighteenth-Century Stage (review)
  2. Lourdes Arciniega
  3. pp. 476-478
  4. DOI: https://doi.org/10.1353/tj.2011.0103
  5. restricted access
  1. Violence Against Women in Early Modern Perfomance: Invisible Acts (review)
  2. Catharine Gray
  3. pp. 478-479
  4. DOI: https://doi.org/10.1353/tj.2011.0074
  5. restricted access
  1. Reimagining Shakespeare's Playhouse: Early Modern Staging Conventions in the Twentieth Century (review)
  2. Cary M. Mazer
  3. pp. 479-481
  4. DOI: https://doi.org/10.1353/tj.2011.0080
  5. restricted access
  1. Shakespeare and the American Musical (review)
  2. Bryan M. Vandevender
  3. pp. 481-482
  4. DOI: https://doi.org/10.1353/tj.2011.0085
  5. restricted access
  1. Planes of Composition: Dance, Theory, and the Global (review)
  2. Kathleen Spanos
  3. pp. 482-483
  4. DOI: https://doi.org/10.1353/tj.2011.0090
  5. restricted access
  1. The Provocation of the Senses in Contemporary Theatre (review)
  2. Christine Simonian Bean
  3. pp. 483-484
  4. DOI: https://doi.org/10.1353/tj.2011.0095
  5. restricted access
  1. Youth and Theatre of the Oppressed (review)
  2. Megan Alrutz
  3. pp. 485-486
  4. DOI: https://doi.org/10.1353/tj.2011.0101
  5. restricted access
  1. Sensualities/Textualities and Technologies: Writings of the Body in 21st-Century Performance (review)
  2. Spencer Schaffner
  3. pp. 486-487
  4. DOI: https://doi.org/10.1353/tj.2011.0072
  5. restricted access
  1. Editorial Comment Behind the Paradox of Religious Rhetoric in a Time of Swine Flu, or An Accidental Asianist
  2. Catherine A. Schuler
  3. pp. vii-x
  4. DOI: https://doi.org/10.1353/tj.2011.0104
  5. restricted access
  1. Books Received
  3. pp. 488-495
  4. DOI: https://doi.org/10.1353/tj.2011.0078
  5. restricted access