We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE

Volume 63, Number 3, October 2011

Table of Contents

From: Theatre Journal

Previous Issue Next Issue

Asian Theatre and Performance

Editorial Comment Behind the Paradox of Religious Rhetoric in a Time of Swine Flu, or An Accidental Asianist

pp. vii-x | DOI: 10.1353/tj.2011.0104

Special Issue Essays

Behind the Play: The World and Works of Nick Rongjun Yu

pp. 311-321 | DOI: 10.1353/tj.2011.0100

Behind the Lie

pp. 323-364 | DOI: 10.1353/tj.2011.0071

The Theatricality of Religious Rhetoric: Gao Xingjian and the Meaning of Exile

pp. 365-379 | DOI: 10.1353/tj.2011.0077

Staging the "Cartography of Paradox": The DMZ Special Exhibition at the Korean War Memorial, Seoul

pp. 381-402 | DOI: 10.1353/tj.2011.0083

Pigs Might Fly: Dance in the Time of Swine Flu

pp. 403-424 | DOI: 10.1353/tj.2011.0088

Special Book Review Essay

India's Theatrical Modernity: Re-Theorizing Colonial, Postcolonial, and Diasporic Formations

pp. 425-437 | DOI: 10.1353/tj.2011.0093

Performance Review

Show Your Face!, and: Woyzeck on the Highveld (review)

pp. 439-442 | DOI: 10.1353/tj.2011.0098

$pent (review)

pp. 442-444 | DOI: 10.1353/tj.2011.0069

In the Wake, and: The Little Foxes (review)

pp. 444-447 | DOI: 10.1353/tj.2011.0075

K. (review)

pp. 447-449 | DOI: 10.1353/tj.2011.0081

Bluefinger: The Fall and Rise of Herman Brood (review)

pp. 449-451 | DOI: 10.1353/tj.2011.0086

A Free Man of Color (review)

pp. 451-453 | DOI: 10.1353/tj.2011.0091

An Iliad (review)

pp. 453-455 | DOI: 10.1353/tj.2011.0096

Rosmersholm (review)

pp. 455-457 | DOI: 10.1353/tj.2011.0102

The Piano Lesson (review)

pp. 457-459 | DOI: 10.1353/tj.2011.0073

Terminus (review)

pp. 459-460 | DOI: 10.1353/tj.2011.0079

Harriet Jacobs (review)

pp. 460-462 | DOI: 10.1353/tj.2011.0084

The Importance of Being Earnest (review)

pp. 462-464 | DOI: 10.1353/tj.2011.0089

A Midsummer Night's Dream (review)

pp. 464-465 | DOI: 10.1353/tj.2011.0094

We Have Always Lived in the Castle (review)

pp. 466-468 | DOI: 10.1353/tj.2011.0099

Book Review

The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World (review)

pp. 469-470 | DOI: 10.1353/tj.2011.0070

Chinese Shakespeares: Two Centuries of Cultural Exchange (review)

pp. 470-471 | DOI: 10.1353/tj.2011.0076

Illusive Utopia: Theater, Film, and Everyday Performance in North Korea (review)

pp. 471-473 | DOI: 10.1353/tj.2011.0082

Imagining Arab Womanhood: The Cultural Mythology of Veils, Harems, and Belly Dancers in the U.S. (review)

pp. 472-473 | DOI: 10.1353/tj.2011.0092

The Japan of Pure Invention: Gilbert and Sullivan's The Mikado (review)

pp. 473-474 | DOI: 10.1353/tj.2011.0087

Racial Geometries of the Black Atlantic, Asian Pacific and American Theatre (review)

pp. 475-476 | DOI: 10.1353/tj.2011.0097

National Myth and Imperial Fantasy: Representations of Britishness on the Early Eighteenth-Century Stage (review)

pp. 476-478 | DOI: 10.1353/tj.2011.0103

Violence Against Women in Early Modern Perfomance: Invisible Acts (review)

pp. 478-479 | DOI: 10.1353/tj.2011.0074

Reimagining Shakespeare's Playhouse: Early Modern Staging Conventions in the Twentieth Century (review)

pp. 479-481 | DOI: 10.1353/tj.2011.0080

Shakespeare and the American Musical (review)

pp. 481-482 | DOI: 10.1353/tj.2011.0085

Planes of Composition: Dance, Theory, and the Global (review)

pp. 482-483 | DOI: 10.1353/tj.2011.0090

The Provocation of the Senses in Contemporary Theatre (review)

pp. 483-484 | DOI: 10.1353/tj.2011.0095

Youth and Theatre of the Oppressed (review)

pp. 485-486 | DOI: 10.1353/tj.2011.0101

Sensualities/Textualities and Technologies: Writings of the Body in 21st-Century Performance (review)

pp. 486-487 | DOI: 10.1353/tj.2011.0072

Books Received

pp. 488-495 | DOI: 10.1353/tj.2011.0078

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access