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Browse Book and Journal Content on Project MUSE

Volume 63, Number 2, May 2011

Table of Contents

Editorial Comment

pp. 1-2 | DOI: 10.1353/tj.2011.0036


Acting Black, 1824: Charles Mathews's Trip to America

pp. 163-189 | DOI: 10.1353/tj.2011.0053

Furry Cartography: Performing Species

pp. 191-208 | DOI: 10.1353/tj.2011.0038

Performance as Pathology: The Case of Munchausen's Syndrome and Performative Illness

pp. 209-224 | DOI: 10.1353/tj.2011.0065

Site-Specific Theatre and Political Engagement across Space and Time: The Psychogeographic Mapping of British Petroleum in Platform's And While London Burns

pp. 225-243 | DOI: 10.1353/tj.2011.0048

Performance Reviews

Berlin Alexanderplatz (review)

pp. 245-248 | DOI: 10.1353/tj.2011.0067

A Streetcar Named Desire (review)

pp. 248-250 | DOI: 10.1353/tj.2011.0064

Krapp's Last Tape (review)

pp. 250-253 | DOI: 10.1353/tj.2011.0037

Mr Vertigo (review)

pp. 253-255 | DOI: 10.1353/tj.2011.0042

How Can You Stay in the House All Day and not Go Anywhere? (review)

pp. 255-257 | DOI: 10.1353/tj.2011.0052

Waiting for Godot (review)

pp. 257-260 | DOI: 10.1353/tj.2011.0047

Oberammergau Passion Play 2010 (review)

pp. 260-262 | DOI: 10.1353/tj.2011.0057

Passion Play (review)

pp. 262-264 | DOI: 10.1353/tj.2011.0062

The Tempest (review)

pp. 264-267 | DOI: 10.1353/tj.2011.0035

Antony and Cleopatra (review)

pp. 267-269 | DOI: 10.1353/tj.2011.0040

Spring Awakening: A Sin of Omission (review)

pp. 269-270 | DOI: 10.1353/tj.2011.0045

The Master Butchers Singing Club (review)

pp. 270-272 | DOI: 10.1353/tj.2011.0050

Major Barbara, and: The Circle (review)

pp. 272-276 | DOI: 10.1353/tj.2011.0055

The Howling Miller (review)

pp. 276-279 | DOI: 10.1353/tj.2011.0060

By Hands Unknown (review)

pp. 279-281 | DOI: 10.1353/tj.2011.0066

Book Reviews

America's Longest Run: A History of the Walnut Street Theatre, and: Encore! The Renaissance of Wisconsin Opera Houses, and: The Golden Age of Indianapolis Theaters, and: A Theater of Our Own: A History and a Memoir of 1,001 Nights in Chicago (review)

pp. 283-285 | DOI: 10.1353/tj.2011.0063

Performance and the City (review)

pp. 285-286 | DOI: 10.1353/tj.2011.0058

Intra-Cultural Theater: Performing the Life of Black Migrants to Italy: Teatro dele Albe and the Performance of Ethnic Diversity acros Politics, News, Public Discourse, and Art (review)

pp. 286-288 | DOI: 10.1353/tj.2011.0061

Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class (review)

pp. 288-289 | DOI: 10.1353/tj.2011.0046

Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity (review)

pp. 289-290 | DOI: 10.1353/tj.2011.0041

Urban Bush Women: Twenty Years of African American Dance Theater, Community Engagement, and Working it Out (review)

pp. 290-291 | DOI: 10.1353/tj.2011.0056

Worlding Dance (review)

pp. 292-293 | DOI: 10.1353/tj.2011.0051

How to Do Things with Dance: Performing Change in Postwar America (review)

pp. 293-294 | DOI: 10.1353/tj.2011.0059

Victorian Women and the Theatre of Trance: Mediums, Spiritualists, and Mesmerists in Performance (review)

pp. 294-296 | DOI: 10.1353/tj.2011.0054

Memory in Play: From Aeschylus to Sam Shepard, and: Technologies of Memory in the Arts (review)

pp. 296-297 | DOI: 10.1353/tj.2011.0068

Homo Americanus: Ernest Hemingway, Tennessee Williams, and Queer Masculinities (review)

pp. 297-299 | DOI: 10.1353/tj.2011.0039

Performing Race and Torture on the Early Modern Stage (review)

pp. 299-300 | DOI: 10.1353/tj.2011.0044

The Tainted Muse: Prejudice and Presumption in Shakespeare and His Time (review)

pp. 300-302 | DOI: 10.1353/tj.2011.0049

Doctoral Projects

Doctoral Projects in Progress in Theatre Arts, 2011

pp. 305-309 | DOI: 10.1353/tj.2011.0043

Research Areas


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