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In this Issue

Table of Contents

  1. Jamaica on Broadway: The Popular Caribbean and Mock Transnational Performance
  2. Shane Vogel
  3. pp. 1-21
  4. DOI: https://doi.org/10.1353/tj.0.0318
  5. restricted access
  1. Magic, Monsters, and Movies: America’s Midnight Ghost Shows
  2. Beth A. Kattelman
  3. pp. 23-39
  4. DOI: https://doi.org/10.1353/tj.0.0324
  5. restricted access
  1. “For Urinetown is your town . . .”: The Fringes of Broadway
  2. Anne Beggs
  3. pp. 41-56
  4. DOI: https://doi.org/10.1353/tj.0.0330
  5. restricted access
  1. The “Dark Continent” Goes North: An Exploration of Intercultural Theatre Practice through Handspring and Sogolon Puppet Companies’ Production of Tall Horse
  2. Yvette Hutchison
  3. pp. 57-73
  4. DOI: https://doi.org/10.1353/tj.0.0335
  5. restricted access
  1. Trying on The Yellow Jacket: Performing Chinese Exclusion and Assimilation
  2. Ju Yon Kim
  3. pp. 75-92
  4. DOI: https://doi.org/10.1353/tj.0.0305
  5. restricted access
  1. Oregon Shakespeare Festival (review)
  2. Sonja Arsham Kuftinec
  3. pp. 93-98
  4. DOI: https://doi.org/10.1353/tj.0.0310
  5. restricted access
  1. The World as a Place of Truth (review)
  2. Daniel Larlham
  3. pp. 98-101
  4. DOI: https://doi.org/10.1353/tj.0.0316
  5. restricted access
  1. The Gwangdae, and: Hahoe Talchum (review)
  2. J. L. Murdoch
  3. pp. 101-105
  4. DOI: https://doi.org/10.1353/tj.0.0322
  5. restricted access
  1. Crazy World (review)
  2. Laurence Raw
  3. pp. 105-106
  4. DOI: https://doi.org/10.1353/tj.0.0328
  5. restricted access
  1. My Father’s Bookshelf (review)
  2. Mark Seamon
  3. pp. 106-108
  4. DOI: https://doi.org/10.1353/tj.0.0333
  5. restricted access
  1. Fabrik: The legend of M. Rabinowitz (review)
  2. James M. Cherry
  3. pp. 108-110
  4. DOI: https://doi.org/10.1353/tj.0.0338
  5. restricted access
  1. Waiting for Godot (review)
  2. Michael Y. Bennett
  3. pp. 110-111
  4. DOI: https://doi.org/10.1353/tj.0.0308
  5. restricted access
  1. Panic, and: Story of a Rabbit (review)
  2. Nicholas John Dekker
  3. pp. 111-113
  4. DOI: https://doi.org/10.1353/tj.0.0314
  5. restricted access
  1. Addicted to Bad Ideas: Peter Lorre’s 20th Century, and: Good Cop Bad Cop, and: Don John (review)
  2. Steve Earnest
  3. pp. 114-116
  4. DOI: https://doi.org/10.1353/tj.0.0320
  5. restricted access
  1. 7(x1) Samurai (review)
  2. Gavin Hawk
  3. pp. 116-118
  4. DOI: https://doi.org/10.1353/tj.0.0326
  5. restricted access
  1. WWE Raw: Road to Summerslam, and: WWE Raw Live (review)
  2. Rob Connick
  3. pp. 118-120
  4. DOI: https://doi.org/10.1353/tj.0.0331
  5. restricted access
  1. National Theatres in a Changing Europe (review)
  2. Kim Solga
  3. pp. 121-122
  4. DOI: https://doi.org/10.1353/tj.0.0336
  5. restricted access
  1. Searching for a New German Identity: Heiner Müller and the Geschichtsdrama (review)
  2. Matt Cornish
  3. pp. 122-123
  4. DOI: https://doi.org/10.1353/tj.0.0306
  5. restricted access
  1. The Sacrament and Other Plays of Forbidden Love (review)
  2. Luc Gilleman
  3. pp. 123-125
  4. DOI: https://doi.org/10.1353/tj.0.0311
  5. restricted access
  1. Crossing Cultural Borders Through the Actor’s Work (review)
  2. Jim Williams
  3. pp. 125-126
  4. DOI: https://doi.org/10.1353/tj.0.0317
  5. restricted access
  1. The American Play, 1787–2000 (review)
  2. David Krasner
  3. pp. 126-127
  4. DOI: https://doi.org/10.1353/tj.0.0323
  5. restricted access
  1. The Contrast: Manners, Morals, and Authority in the Early American Republic (review)
  2. Tyler Smith
  3. pp. 127-128
  4. DOI: https://doi.org/10.1353/tj.0.0329
  5. restricted access
  1. Pittsburgh in Stages: Two Hundred Years of Theater (review)
  2. Emily Klein
  3. pp. 128-129
  4. DOI: https://doi.org/10.1353/tj.0.0334
  5. restricted access
  1. Historical Dictionary of African American Theater (review)
  2. Sandra M. Mayo
  3. pp. 130-131
  4. DOI: https://doi.org/10.1353/tj.0.0339
  5. restricted access
  1. American Puppet Modernism: Essays on the Material World in Performance (review)
  2. Robert J. Vrtis
  3. pp. 131-132
  4. DOI: https://doi.org/10.1353/tj.0.0309
  5. restricted access
  1. Stone Tower: The Political Theater of Arthur Miller (review)
  2. Joshua E. Polster
  3. pp. 132-133
  4. DOI: https://doi.org/10.1353/tj.0.0315
  5. restricted access
  1. Unfriendly Witneses: Gender, Theater, and Film in the McCarthy Era (review)
  2. Chanelle Renee Vigue
  3. pp. 133-134
  4. DOI: https://doi.org/10.1353/tj.0.0321
  5. restricted access
  1. Teatro Chicana: A Collective Memoir and Selected Plays (review)
  2. Johnathon D. Boyd
  3. p. 135
  4. DOI: https://doi.org/10.1353/tj.0.0327
  5. restricted access
  1. “We Will Be Citizens”: New Essays on Gay and Lesbian Theatre (review)
  2. Jill Dolan
  3. pp. 136-137
  4. DOI: https://doi.org/10.1353/tj.0.0332
  5. restricted access
  1. Feminist and Queer Performance: Critical Strategies (review)
  2. Shane T. Moreman
  3. pp. 137-138
  4. DOI: https://doi.org/10.1353/tj.0.0337
  5. restricted access
  1. Feminist Theatrical Revisions of Classic Works (review)
  2. Candace M. Joice
  3. pp. 138-139
  4. DOI: https://doi.org/10.1353/tj.0.0307
  5. restricted access
  1. Shakespeare Re-Dressed: Cross-Gender Casting in Contemporary Performance (review)
  2. Deirdre O’Rourke
  3. pp. 139-140
  4. DOI: https://doi.org/10.1353/tj.0.0313
  5. restricted access
  1. The Gendering of Men, 1600–1750, Vol. 2: Queer Articulations (review)
  2. John C. Beynon
  3. pp. 140-141
  4. DOI: https://doi.org/10.1353/tj.0.0319
  5. restricted access
  1. Editorial Comment: Representation/Reception/Nostalgia
  2. Catherine A. Schuler
  3. pp. ix-xii
  4. DOI: https://doi.org/10.1353/tj.0.0312
  5. restricted access
  1. Books Received
  3. pp. 142-146
  4. DOI: https://doi.org/10.1353/tj.0.0325
  5. restricted access