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Theatre Journal

Volume 61, Number 3, October 2009

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E-ISSN: 1086-332X Print ISSN: 0192-2882

Table of Contents

Your Subscribed Content Your Subscribed Content
Wochenend und Sonnenschein”: In the Blind Spots of Censorship at the GDR’s Cultural Authorities and the Berliner Ensemble
pp. 363-386
Theatre Reform as Censorship: Censoring Traditional Theatre in China in the Early 1950s
pp. 387-406
“In the Interest of the State”: A Cold War National Theatre for the United States
pp. 407-420
Ballet Nations: The New York City Ballet’s 1962 US State Department–Sponsored Tour of the Soviet Union
pp. 421-442
How The National Health Improved the National’s Health: Peter Nichols, Michael Blakemore, and the National Theatre Company
pp. 443-462

Performance Review

Judith A. Sebesta, Editor

Continuous City (review)
pp. 463-464
Opening Night (review)
pp. 465-467
The Success of Failure (or the Failure of Success) (review)
pp. 467-469
Ghostwritten (review)
pp. 469-472
Electra (review)
pp. 472-474
Bamboo Blues (review)
pp. 474-477
Winesburg, Ohio (review)
pp. 477-479
West Side Story (review)
pp. 479-481
Dead Man’s Cell Phone (review)
pp. 481-483
Co-Ed Prison Sluts (review)
pp. 483-485
The Garden of Intimacy and Desire Cycle (review)
pp. 485-489
The Objectification of Things (review)
pp. 489-490

Book Review

Melissa Gibson, Editor

Visualizing Medieval Performance: Perspectives, Histories, Contexts (review)
pp. 491-492
City/Stage/Globe: Performance and Space in Shakespeare’s London (review)
pp. 492-494
Shakespeare and the Eighteenth Century (review)
pp. 494-495
Shakespeare and Garrick (review)
pp. 495-496
Gothic Plays and American Society, 1794–1830 (review)
pp. 496-497
Laughing Fit to Kill: Black Humor in the Fictions of Slavery (review)
pp. 498-499
Stages of Conflict: A Critical Anthology of Latin American Theater and Performance (review)
pp. 499-500
Zeami: Performance Notes (review)
pp. 500-501
Western Esotericism in Russian Silver Age Drama: Aleksandr Blok’s The Rose and the Cross (review)
pp. 501-502
Embodied Texts: Symbolist Playwright–Dancer Collaborations (review)
pp. 502-503
Staging Stigma: A Critical Examination of the American Freak Show (review)
pp. 503-505
Considering Calamity: Methods for Performance Research (review)
pp. 505-506
Small Acts of Repair: Performance, Ecology and Goat Island (review)
pp. 506-507
Voices Carry: Behind Bars and Backstage During China’s Revolution and Reform (review)
pp. 507-509
Performance and Identity in the Classical World (review)
pp. 509-510
The Stagecraft and Performance of Roman Comedy (review)
pp. 510-511

Books Received

Books Received
pp. 512-516

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