Theatre Journal
Volume 61, Number 1, March 2009
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E-ISSN: 1086-332X Print ISSN: 0192-2882
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Table of Contents
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How to Do Things with Demons: Conjuring Performatives in Doctor Faustus
pp. 1-21
Scenes of Self-Recruitment: Ron Vawter’s Entry into The Performance Group
pp. 23-41
Subject Headings:
Between Umat and Rakyat: Islam and Nationalism in Indonesian Modern Theatre
pp. 43-64
Subject Headings:
Genocide Unbound: Erik Ehn, Rwanda, and an Aesthetics of Discomfort
pp. 65-83
Blood Debt: Reparations in Langston Hughes’s Mulatto
pp. 85-103
Performance Reviews
Judith A. Sebesta, Editor
Monkey: Journey to the West, and: Between the Devil and the Deep Blue Sea, and: Homeland, and: The Great War (review)
pp. 110-114
Sixtenth International Istanbul Theatre Festival (review)
pp. 114-117
Noel Coward’s Brief Encounter, and: Gone with the Wind (review)
pp. 131-135
Book Review
Melissa Gibson, Editor
Performing Aotearoa: New Zealand Theatre and Drama in an Age of Transition (review)
pp. 143-144
At Home in the World: Bharata Natyam on the Global Stage (review)
pp. 144-145
Performance and Politics in Tanzania: The Nation on Stage (review)
pp. 145-147
Cascoland: Interventions in Public Space, Drill Hall, Johannesburg, South Africa (review)
pp. 147-148
Czech Theatre Design in the Twentieth Century: Metaphor and Irony Revisited (review)
pp. 148-149
Brian Friel, Ireland, and the North (review)
pp. 150-151
A History of Asian American Theatre (review)
pp. 152-153
Women in American Musical Theatre: Essays on Composers, Lyricists, Librettists, Arrangers, Choreographers, Designers, Directors, Producers, and Performance Artists (review)
pp. 153-154
Performing Patriotism: National Identity in the Colonial and Revolutionary American Theater (review)
pp. 154-155
Eugene O’Neill’s America: Desire Under Democracy (review)
pp. 155-156
Theatre Censorship: From Walpole to Wilson (review)
pp. 157-158
Voice in Motion: Staging Gender, Shaping Sound in Early Modern England (review)
pp. 158-159
Early Responses to Renaissance Drama (review)
pp. 159-160
Shakespeare’s Late Style, and: The Staging of Romance in Late Shakespeare: Text and Theatrical Technique (review)
pp. 160-162
Books Receieved
Books Received
pp. 163-169
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