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Theatre Journal

Volume 60, Number 4, December 2008

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E-ISSN: 1086-332X Print ISSN: 0192-2882

Table of Contents

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Popular Culture and Theatre History

Editorial Comment: Popular Culture and Theatre History
pp. x-xii
“A theatrical race”: American Identity and Popular Performance in the Writings of Constance M. Rourke
pp. 529-543
The Judicial and the Melodramatic Stage: Trial Scenes in Boucicault’s Arrah-na-Pogue and The Octoroon
pp. 545-561
Field Tripping: The Power of Inherit the Wind
pp. 563-583
Patriotic Acts of Consumption: Lucile (Lady Duff Gordon) and the Vaudeville Fashion Show Craze
pp. 585-608
Political Animals: Engagements with Imperial and Gender Discourses in Late-Colonial Australian Circuses
pp. 609-629

Performance Review

The Pinch Brothers (Also Sisters) In: "The Bawdy House" (review)
pp. 631-633
Blue Man Group: How to Be a Megastar Tour 2.1, and: Blue Man Group: Orlando (review)
pp. 634-635
Passing Strange (review)
pp. 635-637
Sunday in the Park with George (review)
pp. 638-639
Die Dreigroschenoper (The Threepenny Opera), and: The Masque of the Red Death (review)
pp. 639-643
Adding Machine, a Musical (review)
pp. 643-646
Trifles, and: The Outside, and: Suppressed Desires, and: Chains of Dew (review)
pp. 646-649
Time is the Mercy of Eternity (review)
pp. 649-650
Theatertreffen Festival (review)
pp. 650-654
(Un)Patriotic Acts of an Imagined Community: The Klein Karoo Nasionale Kunstefees (KKNK) (review)
pp. 654-659
Sizwe Banzi is Dead (review)
pp. 659-661
Dawn’s Light: The Journey of Gordon Hirabayashi (review)
pp. 661-664
Macbeth (review)
pp. 664-665
The Lastmaker (review)
pp. 665-667
Hey Girl! (review)
pp. 667-668
The Cenci (review)
pp. 668-670
Fishtank (review)
pp. 670-672
Who Do You Think You Are (review)
pp. 672-674

Book Review

British Pantomime Performance (review)
pp. 675-676
Performing Dark Arts: A Cultural History of Conjuring (review)
pp. 676-677
Living History Museums: Undoing History Through Performance (review)
pp. 677-678
Visual Delights Two: Exhibition and Reception (review)
pp. 679-680
Shakespeare and the American Popular Stage (review)
pp. 680-681
Shakespeare Films in the Making: Vision, Production and Reception (review)
pp. 681-682
American Drama in the Age of Film (review)
pp. 682-683
Forgetting Lot’s Wife: On Destructive Spectatorship, and: The Citizen Audience: Crowds, Publics, and Individuals (review)
pp. 683-685
New Deal Theater: The Vernacular Tradition in American Political Theater (review)
pp. 685-686
Robert E. Sherwood: The Playwright in Peace and War (review)
pp. 687-688
The Cambridge Companion to Brecht (review)
pp. 688-689
An Actor’s Work: A Student’s Diary (review)
pp. 689-690
The Actor, Image, and Action: Acting and Cognitive Neuroscience (review)
pp. 690-691
Multi-Media: Video—Installation—Performance (review)
pp. 692-693
Contemporary African American Women Playwrights: A Casebook (review)
pp. 693-694
New Women Dramatists in America, 1890–1920 (review)
pp. 694-695
Theater of a City: The Places of London Comedy, 1598–1642 (review)
pp. 695-696

Volume 60 Index

Index to Volume 60
pp. 701-708

Subject Headings:


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