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Browse Book and Journal Content on Project MUSE

Volume 60, Number 3, October 2008

Table of Contents

Editorial Comment

pp. 1-3 | DOI: 10.1353/tj.0.0057

Usable Performance Feminism for Our Time: Reconsidering Betty Friedan

pp. 341-364 | DOI: 10.1353/tj.0.0078

Staging Shadows/Seeing Ghosts: Ambiguity, Theatre, Gender, and History in Griselda Gambaro’s La señora Macbeth

pp. 365-382 | DOI: 10.1353/tj.0.0043

Gender, Consumption, and Ideological Ambiguity in David Garrick’s Production of The Orphan of China (1759)

pp. 383-407 | DOI: 10.1353/tj.0.0073

Queering Tango: Glitches in the Hetero-National Matrix of a Liminal Cultural Production

pp. 409-431 | DOI: 10.1353/tj.0.0064

Feminist Performance Criticism and the Popular: Reviewing Wendy Wasserstein

pp. 433-457 | DOI: 10.1353/tj.0.0059

Performance Review

Oh, The Humanity and other Exclamations (review)

pp. 459-460 | DOI: 10.1353/tj.0.0072

Spring Awakening (review)

pp. 460-462 | DOI: 10.1353/tj.0.0046

Bahala Na (Let it Go) (review)

pp. 462-463 | DOI: 10.1353/tj.0.0079

Beckett Shorts (review)

pp. 463-465 | DOI: 10.1353/tj.0.0049

Fragments (review)

pp. 465-467 | DOI: 10.1353/tj.0.0044

The Evildoers (review)

pp. 467-469 | DOI: 10.1353/tj.0.0052

Black Watch (review)

pp. 469-471 | DOI: 10.1353/tj.0.0048

The Breach: A Story About the Drowning of New Orleans (review)

pp. 471-473 | DOI: 10.1353/tj.0.0053

Illumination (review)

pp. 473-475 | DOI: 10.1353/tj.0.0060

Gravity (review)

pp. 475-478 | DOI: 10.1353/tj.0.0041

Blahblahblahbang (A Pistol Fit in One Act) (review)

pp. 478-479 | DOI: 10.1353/tj.0.0062

Carmen (review)

pp. 480-482 | DOI: 10.1353/tj.0.0051

Edward II (review)

pp. 482-484 | DOI: 10.1353/tj.0.0066

The Glorious Moment: The Histories (review)

pp. 484-489 | DOI: 10.1353/tj.0.0040

A Disappearing Number (review)

pp. 489-491 | DOI: 10.1353/tj.0.0075

Smash: An Adaptation of George Bernard Shaw’s Novel An Unsocial Socialist (review)

pp. 491-493 | DOI: 10.1353/tj.0.0063

Book Review

Fantasies of Empire: The Empire Theatre of Varieties and the Licensing Controversy of 1894 (review)

pp. 495-496 | DOI: 10.1353/tj.0.0055

Theatre Censorship in Honecker’s Germany: From Volker Braun to Samuel Beckett (review)

pp. 496-497 | DOI: 10.1353/tj.0.0042

Brecht and Political Theatre: The Mother on Stage (review)

pp. 498-499 | DOI: 10.1353/tj.0.0076

Performing Spanishness: History, Cultural Identity and Censorship in the Theatre of José María Rodríguez Méndez (review)

pp. 499-500 | DOI: 10.1353/tj.0.0054

Dissident Syria: Making Oppositional Arts Official (review)

pp. 500-501 | DOI: 10.1353/tj.0.0045

Art and Politics: Psychoanalysis, Ideology, Theatre (review)

pp. 501-503 | DOI: 10.1353/tj.0.0070

Stages of Emergency: Cold War Nuclear Civil Defense (review)

pp. 503-504 | DOI: 10.1353/tj.0.0056

Theatric Revolution: Drama, Censorship, and Romantic Period Subcultures 1773–1832 (review)

pp. 504-505 | DOI: 10.1353/tj.0.0050

Racism on the Victorian Stage: Representation of Slavery and the Black Character (review)

pp. 506-507 | DOI: 10.1353/tj.0.0047

Ira Aldridge: The African Roscius (review)

pp. 507-508 | DOI: 10.1353/tj.0.0069

The Cult of Kean (review)

pp. 508-509 | DOI: 10.1353/tj.0.0068

It (review)

pp. 509-510 | DOI: 10.1353/tj.0.0061

Inexorable Modernity: Japan’s Grappling with Modernity in the Arts (review)

pp. 510-511 | DOI: 10.1353/tj.0.0071

Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas (review)

pp. 512-513 | DOI: 10.1353/tj.0.0067

A Common Stage: Theater and Public Life in Medieval Arras (review)

pp. 513-514 | DOI: 10.1353/tj.0.0065

Rethinking Tragedy (review)

pp. 514-515 | DOI: 10.1353/tj.0.0058

Found in Translation: Greek Drama in English (review)

pp. 515-516 | DOI: 10.1353/tj.0.0077

Books Received

Books Received

pp. 517-524 | DOI: 10.1353/tj.0.0074

Research Areas


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