Login Home Help Contact

Theatre Journal

Volume 60, Number 3, October 2008

Previous Issue Previous Issue | Next Issue Next Issue

E-ISSN: 1086-332X Print ISSN: 0192-2882

Table of Contents

Your Subscribed Content Your Subscribed Content
Editorial Comment
pp. 1-3
Usable Performance Feminism for Our Time: Reconsidering Betty Friedan
pp. 341-364
Staging Shadows/Seeing Ghosts: Ambiguity, Theatre, Gender, and History in Griselda Gambaro’s La señora Macbeth
pp. 365-382
Gender, Consumption, and Ideological Ambiguity in David Garrick’s Production of The Orphan of China (1759)
pp. 383-407
Queering Tango: Glitches in the Hetero-National Matrix of a Liminal Cultural Production
pp. 409-431
Feminist Performance Criticism and the Popular: Reviewing Wendy Wasserstein
pp. 433-457

Performance Review

Oh, The Humanity and other Exclamations (review)
pp. 459-460
Spring Awakening (review)
pp. 460-462
Bahala Na (Let it Go) (review)
pp. 462-463
Beckett Shorts (review)
pp. 463-465
Fragments (review)
pp. 465-467
The Evildoers (review)
pp. 467-469
Black Watch (review)
pp. 469-471
The Breach: A Story About the Drowning of New Orleans (review)
pp. 471-473
Illumination (review)
pp. 473-475
Gravity (review)
pp. 475-478
Blahblahblahbang (A Pistol Fit in One Act) (review)
pp. 478-479
Carmen (review)
pp. 480-482
Edward II (review)
pp. 482-484
The Glorious Moment: The Histories (review)
pp. 484-489
A Disappearing Number (review)
pp. 489-491
Smash: An Adaptation of George Bernard Shaw’s Novel An Unsocial Socialist (review)
pp. 491-493

Book Review

Fantasies of Empire: The Empire Theatre of Varieties and the Licensing Controversy of 1894 (review)
pp. 495-496
Theatre Censorship in Honecker’s Germany: From Volker Braun to Samuel Beckett (review)
pp. 496-497
Brecht and Political Theatre: The Mother on Stage (review)
pp. 498-499
Performing Spanishness: History, Cultural Identity and Censorship in the Theatre of José María Rodríguez Méndez (review)
pp. 499-500
Dissident Syria: Making Oppositional Arts Official (review)
pp. 500-501
Art and Politics: Psychoanalysis, Ideology, Theatre (review)
pp. 501-503
Stages of Emergency: Cold War Nuclear Civil Defense (review)
pp. 503-504
Theatric Revolution: Drama, Censorship, and Romantic Period Subcultures 1773–1832 (review)
pp. 504-505
Racism on the Victorian Stage: Representation of Slavery and the Black Character (review)
pp. 506-507
Ira Aldridge: The African Roscius (review)
pp. 507-508
The Cult of Kean (review)
pp. 508-509
It (review)
pp. 509-510
Inexorable Modernity: Japan’s Grappling with Modernity in the Arts (review)
pp. 510-511
Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas (review)
pp. 512-513
A Common Stage: Theater and Public Life in Medieval Arras (review)
pp. 513-514
Rethinking Tragedy (review)
pp. 514-515
Found in Translation: Greek Drama in English (review)
pp. 515-516

Books Received

Books Received
pp. 517-524

Subject Headings:


© 2009 Project MUSE®. Produced by The Johns Hopkins University Press in collaboration with The Milton S. Eisenhower Library.