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Volume 60, Number 2, May 2008

Table of Contents

From: Theatre Journal

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Editorial Comment

pp. viii-x | DOI: 10.1353/tj.0.0017

Suzan-Lori Parks's Drama of Disinterment: A Transnational Exploration of Venus

pp. 181-199 | DOI: 10.1353/tj.0.0024

"That a black twisty divil could be hiding under such comeliness": Woman versus woman in Early Twentieth-Century Irish Theatre

pp. 201-216 | DOI: 10.1353/tj.0.0030

"But this will be a mere confusion": Real and Represented Confusions on the Elizabethan Stage

pp. 217-233 | DOI: 10.1353/tj.0.0036

Desdemona and the Role of Women in the Antebellum North

pp. 235-255 | DOI: 10.1353/tj.0.0002

The Location of Shakespeare in Korea: Lee Yountaek's Hamlet and the Mirage of Interculturality

pp. 257-276 | DOI: 10.1353/tj.0.0008

Performance Reviews

Hamlet (review)

pp. 277-278 | DOI: 10.1353/tj.0.0014

Urinetown, the Musical! (review)

pp. 278-280 | DOI: 10.1353/tj.0.0021

Yellow Face (review)

pp. 280-283 | DOI: 10.1353/tj.0.0028

The First National Asian American Theater Festival (review)

pp. 283-285 | DOI: 10.1353/tj.0.0034

Shoot / Get Treasure / Repeat (review)

pp. 285-288 | DOI: 10.1353/tj.0.0000

Melancholia (review)

pp. 288-290 | DOI: 10.1353/tj.0.0006

Pygmalion (review)

pp. 290-292 | DOI: 10.1353/tj.0.0012

Distracted (review)

pp. 292-294 | DOI: 10.1353/tj.0.0019

The Lieutenant of Inishmore (review)

pp. 294-298 | DOI: 10.1353/tj.0.0026

Yerma (review)

pp. 298-300 | DOI: 10.1353/tj.0.0032

Top Girls (review)

pp. 300-301 | DOI: 10.1353/tj.0.0038

Elisabeth (review)

pp. 302-303 | DOI: 10.1353/tj.0.0004

The American Girls Revue (review)

pp. 303-306 | DOI: 10.1353/tj.0.0010

Cyrano de Bergerac (review)

pp. 306-307 | DOI: 10.1353/tj.0.0016

Les' Kurbas: The Harlequin's Grin (review)

pp. 307-309 | DOI: 10.1353/tj.0.0023

The Mollusc (review)

pp. 309-310 | DOI: 10.1353/tj.0.0029

Wild Cursive (review)

pp. 310-312 | DOI: 10.1353/tj.0.0035

Thyestes (review)

pp. 312-314 | DOI: 10.1353/tj.0.0001

Book Reviews

Critical Theory and Performance, Revised and Enlarged Edition (review)

pp. 315-316 | DOI: 10.1353/tj.0.0007

Documentation, Disappearance, and the Representation of Live Performance (review)

pp. 316-317 | DOI: 10.1353/tj.0.0013

The Senses in Performance (review)

pp. 317-319 | DOI: 10.1353/tj.0.0020

Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia (review)

pp. 319-320 | DOI: 10.1353/tj.0.0027

The Cambridge Companion to Molière (review)

pp. 320-321 | DOI: 10.1353/tj.0.0033

Landmark Yiddish Plays: A Critical Anthology (review)

pp. 321-323 | DOI: 10.1353/tj.0.0039

Remembering and Imagining the Holocaust: The Chain of Memory (review)

pp. 323-324 | DOI: 10.1353/tj.0.0005

Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, Webster (review)

pp. 324-325 | DOI: 10.1353/tj.0.0011

This Wide and Universal Theater: Shakespeare in Performance Then and Now (review)

pp. 325-326 | DOI: 10.1353/tj.0.0018

Transatlantic Stage Stars in Vaudeville and Variety: Celebrity Turns (review)

pp. 326-328 | DOI: 10.1353/tj.0.0025

Lady in the Dark: Biography of a Musical, and: Oklahoma! The Making of an American Musical (review)

pp. 328-329 | DOI: 10.1353/tj.0.0031

Remaking American Theater: Charles Mee, Anne Bogart, and the Siti Company (review)

pp. 330-331 | DOI: 10.1353/tj.0.0037

Tony Kushner: New Essays on the Art and Politics of the Plays (review)

pp. 331-332 | DOI: 10.1353/tj.0.0003

Angels in the American Theater: Patrons, Patronage, and Philanthropy (review)

pp. 332-333 | DOI: 10.1353/tj.0.0009

Playing the Other: Dramatizing Personal Narratives in Playback Theatre (review)

pp. 333-334 | DOI: 10.1353/tj.0.0015

Doctoral Projects

Doctoral Projects in Progress in Theatre Arts, 2008

pp. 337-340 | DOI: 10.1353/tj.0.0022

Research Areas


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