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In this Issue

Table of Contents

  1. Theatre History, Theatrical Mimesis, and the Myth of the Abydos Passion Play
  2. Alan Sikes
  3. pp. 3-18
  4. DOI: https://doi.org/10.1353/ths.2015.0027
  5. restricted access
  1. William Alexander Leidesdorff and the American 1847: Minstrelsy and Race in California before the Gold Rush
  2. Andrew Gibb
  3. pp. 19-37
  4. DOI: https://doi.org/10.1353/ths.2015.0032
  5. restricted access
  1. Antebellum Touring and the Culture of Deception: The Case of Master Diamond
  2. Nicole Berkin
  3. pp. 39-58
  4. DOI: https://doi.org/10.1353/ths.2015.0004
  5. restricted access
  1. Performing the Polish-American Patriot: Civic Performance and Hyphenated Identity in World War I Chicago
  2. Megan E. Geigner
  3. pp. 59-78
  4. DOI: https://doi.org/10.1353/ths.2015.0009
  5. restricted access
  1. New Paths to Representation; or, How Under the Cherokee Moon Broke the Outdoor Historical Drama Mold
  2. Heidi L. Nees
  3. pp. 79-102
  4. DOI: https://doi.org/10.1353/ths.2015.0014
  5. restricted access
  1. Russian Culture and Theatrical Performance in America, 1891–1933 by Valleri J. Hohman (review)
  2. Sharon Marie Carnicke
  3. pp. 103-105
  4. DOI: https://doi.org/10.1353/ths.2015.0019
  5. restricted access
  1. Staging the People: Community and Identity in the Federal Theatre Project by Elizabeth A. Osborne (review)
  2. Johnathan Chambers
  3. pp. 105-108
  4. DOI: https://doi.org/10.1353/ths.2015.0025
  5. restricted access
  1. The Politics of the Pantomime: Regional Identity in the Theatre, 1860–1900 by Jill A. Sullivan (review)
  2. Meredith Conti
  3. pp. 110-113
  4. DOI: https://doi.org/10.1353/ths.2015.0002
  5. restricted access
  1. Performing Gender Violence: Plays by Contemporary American Women Dramatists ed. by Barbara Ozieblo Noelia, Hernando-Real (review)
  2. Jerry Dickey
  3. pp. 113-115
  4. DOI: https://doi.org/10.1353/ths.2015.0007
  5. restricted access
  1. Performing Remains: Art and War in Times of Theatrical Reenactment by Rebecca Schneider (review)
  2. Julia Fawcett
  3. pp. 115-118
  4. DOI: https://doi.org/10.1353/ths.2015.0012
  5. restricted access
  1. Violence in American Drama: Essays on Its Staging, Meanings and Effects ed. by Alfonso Ceballos Muñoz, Ramón Espejo Romero, Bernardo Muñoz Martinez (review)
  2. Iris Fischer
  3. pp. 118-120
  4. DOI: https://doi.org/10.1353/ths.2015.0017
  5. restricted access
  1. Changed for Good: A Feminist History of the Broadway Musical by Stacy Wolf (review)
  2. Brett D. Johnson
  3. pp. 121-123
  4. DOI: https://doi.org/10.1353/ths.2015.0023
  5. restricted access
  1. Self and Space in the Theater of Susan Glaspell by Noelia Hernando-Real (review)
  2. Emeline Jouve
  3. pp. 123-125
  4. DOI: https://doi.org/10.1353/ths.2015.0028
  5. restricted access
  1. The Making of Cabaret by Keith Garebian (review)
  2. Valerie Joyce
  3. pp. 125-127
  4. DOI: https://doi.org/10.1353/ths.2015.0000
  5. restricted access
  1. How It Feels to Be Free: Black Women Entertainers and the Civil Rights Movement by Ruth Feldstein (review)
  2. Keith Byron Kirk
  3. pp. 128-130
  4. DOI: https://doi.org/10.1353/ths.2015.0005
  5. restricted access
  1. There’s a Place for Us: The Musical Theatre Works of Leonard Bernstein by Helen Smith (review)
  2. Jenna L. Kubly
  3. pp. 130-132
  4. DOI: https://doi.org/10.1353/ths.2015.0010
  5. restricted access
  1. Simming: Participatory Performance and the Making of Meaning by Scott Magelssen (review)
  2. Martha S. Lomonaco
  3. pp. 132-134
  4. DOI: https://doi.org/10.1353/ths.2015.0015
  5. restricted access
  1. Theatre and Museums by Susan Bennett (review)
  2. Scott Magelssen
  3. pp. 134-137
  4. DOI: https://doi.org/10.1353/ths.2015.0020
  5. restricted access
  1. Ecocriticism and Shakespeare: Reading Ecophobia by Simon C. Estok (review)
  2. Theresa J. May
  3. pp. 137-140
  4. DOI: https://doi.org/10.1353/ths.2015.0026
  5. restricted access
  1. Alfred Jarry: A Pataphysical Life by Alastair Brotchie (review)
  2. Lance Mekeel
  3. pp. 141-143
  4. DOI: https://doi.org/10.1353/ths.2015.0031
  5. restricted access
  1. La Voz Latina: Contemporary Plays and Performance Pieces by Latinas ed. by Elizabeth C. Ramírez, Catherine Casiano (review)
  2. Beliza Torres Narváez
  3. pp. 143-146
  4. DOI: https://doi.org/10.1353/ths.2015.0003
  5. restricted access
  1. Racial Innocence: Performing American Childhood from Slavery to Civil Rights by Robin Bernstein (review)
  2. Tavia Nyong’o
  3. pp. 146-148
  4. DOI: https://doi.org/10.1353/ths.2015.0008
  5. restricted access
  1. Keith Johnstone: A Critical Biography by Theresa Robbins Dudeck (review)
  2. Alexis Riley
  3. pp. 148-151
  4. DOI: https://doi.org/10.1353/ths.2015.0013
  5. restricted access
  1. An Actress Prepares: Women and “the Method.” by Rosemary Malague (review)
  2. Kristen Rogers
  3. pp. 151-153
  4. DOI: https://doi.org/10.1353/ths.2015.0018
  5. restricted access
  1. Mabou Mines: Making Avant-Garde Theater in the 1970s by Iris Smith Fischer (review)
  2. Cindy Rosenthal
  3. pp. 154-156
  4. DOI: https://doi.org/10.1353/ths.2015.0024
  5. restricted access
  1. Transposing Broadway: Jews, Assimilation, and the American Musical by Stuart J. Hecht (review)
  2. Judith Sebesta
  3. pp. 157-159
  4. DOI: https://doi.org/10.1353/ths.2015.0029
  5. restricted access
  1. Native Acts: Indian Performance, 1603-1832 ed. by Joshua David Bellin, Laura L. Mielke, and: Ceremony, Spirituality, and Ritual in Native American Performance: A Creative Notebook by Hanay Geiogamah (review)
  2. Teresa Stankiewicz
  3. pp. 159-165
  4. DOI: https://doi.org/10.1353/ths.2015.0001
  5. restricted access
  1. The Problem of the Color[blind]: Racial Transgression and the Politics of Black Performance by Brandi Wilkins Catanese (review)
  2. Harvey Young
  3. pp. 167-170
  4. DOI: https://doi.org/10.1353/ths.2015.0011
  5. restricted access
  1. Illustrations
  3. p. ix
  4. DOI: https://doi.org/10.1353/ths.2015.0033
  5. restricted access
  1. Introduction
  2. Elizabeth Reitz Mullenix
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/ths.2015.0021
  5. restricted access
  1. Comedy: A Critical Introduction by Eli Rozik (review)
  2. Miriam Chirico
  3. pp. 108-110
  4. DOI: https://doi.org/10.1353/ths.2015.0030
  5. restricted access
  1. Suzan-Lori Parks: Essays on the Plays and Other Works ed. by Philip C. Kolin (review)
  2. Kevin J. Wetmore Jr.
  3. pp. 165-167
  4. DOI: https://doi.org/10.1353/ths.2015.0006
  5. restricted access
  1. Books Received
  3. pp. 171-172
  4. DOI: https://doi.org/10.1353/ths.2015.0016
  5. restricted access
  1. Contributors
  3. pp. 173-174
  4. DOI: https://doi.org/10.1353/ths.2015.0022
  5. restricted access

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