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In this Issue

Table of Contents

  1. Q & A: Poetics of the Documentary Film Interview
  2. Leger Grindon
  3. pp. 4-12
  4. DOI: https://doi.org/10.1353/vlt.2007.0014
  5. restricted access
  1. Contemporary Documentary Film and "Archive Fever": History, the Fragment, the Joke
  2. Jaimie Baron
  3. pp. 13-24
  4. DOI: https://doi.org/10.1353/vlt.2007.0010
  5. restricted access
  1. Documentary Stories for Change: Viewing and Producing Immigrant Narratives as Social Documents
  2. Alicia Kemmitt
  3. pp. 25-36
  4. DOI: https://doi.org/10.1353/vlt.2007.0018
  5. restricted access
  1. "Gangs Gone Wild": Low-Budget Gang Documentaries and the Aesthetics of Exploitation
  2. Colin Gunckel
  3. pp. 37-46
  4. DOI: https://doi.org/10.1353/vlt.2007.0015
  5. restricted access
  1. Familial Pursuits, Editorial Acts: Documentaries after the Age of Home Video
  2. Marsha Orgeron, Devin Orgeron
  3. pp. 47-62
  4. DOI: https://doi.org/10.1353/vlt.2007.0023
  5. restricted access
  1. Comedy Verité? The Observational Documentary Meets the Televisual Sitcom
  2. Ethan Thompson
  3. pp. 63-72
  4. DOI: https://doi.org/10.1353/vlt.2007.0027
  5. restricted access
  1. Darfur Diaries: An Interview with Jen Marlowe and Adam Shapiro
  2. Matt Sienkiewicz, Rachel Bicicchi, Jen Marlowe, Adam Shapiro
  3. pp. 73-78
  4. DOI: https://doi.org/10.1353/vlt.2007.0026
  5. restricted access
  1. The Role of Documentary in the Contemporary American Political Scene
  2. David Resha, Mark Minett, Charlie Michael, Colin Burnett
  3. p. 79
  4. DOI: https://doi.org/10.1353/vlt.2007.0024
  5. restricted access
  1. The Not So Good Old Days
  2. Michael Curtin
  3. pp. 79-80
  4. DOI: https://doi.org/10.1353/vlt.2007.0013
  5. restricted access
  1. [no title]
  2. Jeanne Lynn Hall
  3. pp. 80-82
  4. DOI: https://doi.org/10.1353/vlt.2007.0016
  5. restricted access
  1. The Politics of Distribution
  2. Ben Levin
  3. pp. 82-83
  4. DOI: https://doi.org/10.1353/vlt.2007.0019
  5. restricted access
  1. [no title]
  2. Randolph Lewis
  3. pp. 83-84
  4. DOI: https://doi.org/10.1353/vlt.2007.0020
  5. restricted access
  1. The Measure of Success for Documentaries in U.S. Political Scene 2007
  2. Betsy A. McLane
  3. pp. 84-85
  4. DOI: https://doi.org/10.1353/vlt.2007.0021
  5. restricted access
  1. What Current Documentaries Do and Can't Do
  2. Bill Nichols
  3. pp. 85-86
  4. DOI: https://doi.org/10.1353/vlt.2007.0022
  5. restricted access
  1. [no title]
  2. Diane Waldman
  3. pp. 86-87
  4. DOI: https://doi.org/10.1353/vlt.2007.0028
  5. restricted access
  1. Moving Testimonies: Documentary, "Truth," and Reconciliation
  2. Janet Walker
  3. pp. 87-88
  4. DOI: https://doi.org/10.1353/vlt.2007.0029
  5. restricted access
  1. Documentaries and Scenarios
  2. Jerry White
  3. pp. 88-90
  4. DOI: https://doi.org/10.1353/vlt.2007.0030
  5. restricted access
  1. Mexican Movies in the United States: A History of the Films, Theaters, and Audiences, 1920-1960 (review)
  2. Andrea Comiskey
  3. pp. 91-93
  4. DOI: https://doi.org/10.1353/vlt.2007.0011
  5. restricted access
  1. The Wow Climax: Tracing the Emotional Impact of Popular Culture (review)
  2. Josh Shepperd
  3. pp. 94-96
  4. DOI: https://doi.org/10.1353/vlt.2007.0025
  5. restricted access
  1. Contributors
  3. p. ii
  4. DOI: https://doi.org/10.1353/vlt.2007.0012
  5. restricted access
  1. Introduction
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/vlt.2007.0017
  5. restricted access