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Browse Book and Journal Content on Project MUSE

Number 69, Spring 2012

Table of Contents

Recontextualizing Animation, CGI, and Visual Effects


pp. 1-2 | DOI: 10.1353/vlt.2012.0005


Dissecting Bambi: Multiplanar Photography, the Cel Technique, and the Flowering of Full Animation

pp. 3-16 | DOI: 10.1353/vlt.2012.0007

On Styles of Theorizing Animation Styles: Stanley Cavell at the Cartoon's Demise

pp. 17-26 | DOI: 10.1353/vlt.2012.0009

Kung Fu Panda: Animated Animal Bodies as Layered Sites of (Trans)National Identities

pp. 27-37 | DOI: 10.1353/vlt.2012.0011

Is It Real . . . or Is It Motion Capture?: The Battle to Redefine Animation in the Age of Digital Performance

pp. 38-49 | DOI: 10.1353/vlt.2012.0001

An Interview with Geoff Marslett of Swerve Pictures

pp. 50-52 | DOI: 10.1353/vlt.2012.0003

An Interview with Bob Sabiston of Flat Black Films

pp. 53-60 | DOI: 10.1353/vlt.2012.0004

Book Reviews

The Fun Factory: The Keystone Film Company and the Emergence of Mass Culture, and: Universal Women: Filmmaking and Institutional Change in Early Hollywood (review)

pp. 61-64 | DOI: 10.1353/vlt.2012.0006

Letterboxed: The Evolution of Widescreen Cinema, and: Widescreen Worldwide (review)

pp. 65-67 | DOI: 10.1353/vlt.2012.0008

The New Entrepreneurs: An Institutional History of Television Anthology Writers (review)

pp. 68-70 | DOI: 10.1353/vlt.2012.0010

Challenge for Change: Activist Documentary at the National Film Board of Canada (review)

pp. 71-73 | DOI: 10.1353/vlt.2012.0000

Hollywood Reborn: Movie Stars of the 1970s (review)

pp. 74-76 | DOI: 10.1353/vlt.2012.0002

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