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In this Issue

Table of Contents

  1. Film in Air: Airspace, In-Flight Entertainment, and Nontheatrical Distribution
  2. Stephen Groening
  3. pp. 4-14
  4. DOI: https://doi.org/10.1353/vlt.0.0004
  5. restricted access
  1. Your Favorite Stars, Live on Our Screens: Media Culture, Queer Publics, and Commercial Space
  2. Hollis Griffin
  3. pp. 15-28
  4. DOI: https://doi.org/10.1353/vlt.0.0003
  5. restricted access
  1. In the Flesh: Space and Embodiment in the Pornographic Peep Show Arcade
  2. Amy Herzog
  3. pp. 29-43
  4. DOI: https://doi.org/10.1353/vlt.0.0001
  5. restricted access
  1. Photo Essay: Urban Iconography and the Technological Grotesque
  2. Anna McCarthy
  3. pp. 44-47
  4. DOI: https://doi.org/10.1353/vlt.0.0000
  5. restricted access
  1. The Good Side of the Ghetto: Visualizing Black Brooklyn, 1968–1971
  2. Devorah Heitner
  3. pp. 48-61
  4. DOI: https://doi.org/10.1353/vlt.0.0011
  5. restricted access
  1. Company Town: Production Communities and the Myth of a Unified Hollywood
  2. Miranda Banks
  3. pp. 62-64
  4. DOI: https://doi.org/10.1353/vlt.0.0015
  5. restricted access
  1. Dossier: Media Space in Perspective
  3. pp. 62-75
  4. DOI: https://doi.org/10.1353/vlt.0.0009
  5. restricted access
  1. Apple Gets It
  2. Michael Curtin
  3. pp. 64-65
  4. DOI: https://doi.org/10.1353/vlt.0.0017
  5. restricted access
  1. Where Did the Televisions Go?
  2. Nitin Govil
  3. pp. 65-66
  4. DOI: https://doi.org/10.1353/vlt.0.0019
  5. restricted access
  1. Outside Media: Toward a Study of Watching Ourselves through Mobile Media
  2. James Hay
  3. pp. 66-68
  4. DOI: https://doi.org/10.1353/vlt.0.0020
  5. restricted access
  1. Color Accents and Spatial Itineraries
  2. Scott Higgins
  3. pp. 68-70
  4. DOI: https://doi.org/10.1353/vlt.0.0012
  5. restricted access
  1. Remapping Media and Media Studies
  2. Derek Kompare
  3. pp. 70-71
  4. DOI: https://doi.org/10.1353/vlt.0.0013
  5. restricted access
  1. Where Production Takes Place
  2. Vicki Mayer
  3. pp. 71-72
  4. DOI: https://doi.org/10.1353/vlt.0.0014
  5. restricted access
  1. Neoliberal Space and Race in Virtual Worlds
  2. Lisa Nakamura
  3. pp. 72-73
  4. DOI: https://doi.org/10.1353/vlt.0.0016
  5. restricted access
  1. Mediated Spaces: Cultural Geography and the Globalization of Production
  2. Serra Tinic
  3. pp. 74-75
  4. DOI: https://doi.org/10.1353/vlt.0.0018
  5. restricted access
  1. An Interview with Emily Thompson
  2. Nick Marx, Danny Kimball
  3. pp. 76-81
  4. DOI: https://doi.org/10.1353/vlt.0.0002
  5. restricted access
  1. The Television Will Be Revolutionized (review)
  2. Caryn Murphy
  3. pp. 82-84
  4. DOI: https://doi.org/10.1353/vlt.0.0008
  5. restricted access
  1. OurSpace: Resisting the Corporate Control of Culture (review)
  2. Danny Kimball
  3. pp. 85-87
  4. DOI: https://doi.org/10.1353/vlt.0.0006
  5. restricted access
  1. Watching with “The Simpsons”: Television, Parody, and Intertextuality (review)
  2. Nick Marx
  3. pp. 88-90
  4. DOI: https://doi.org/10.1353/vlt.0.0010
  5. restricted access
  1. The Hollywood Horror Film, 1931–1941: Madness in a Social Landscape (review)
  2. Jessica Havens
  3. pp. 91-92
  4. DOI: https://doi.org/10.1353/vlt.0.0005
  5. restricted access
  1. Introduction
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/vlt.0.0007
  5. restricted access