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Table of Contents

  1. Just Another Form of Ideology? Ethical and Methodological Principles in Film Restoration
  2. Andreas Busche
  3. pp. 1-29
  4. DOI: https://doi.org/10.1353/mov.2007.0002
  5. restricted access
  1. The Library of Congress Film Project: Film Collecting and a United State(s) of Mind
  2. Janna Jones
  3. pp. 30-51
  4. DOI: https://doi.org/10.1353/mov.2007.0008
  5. restricted access
  1. Mitchell and Kenyon, Archival Contingency, and the Cultural Production of Historical License
  2. Nathan Carroll
  3. pp. 52-73
  4. DOI: https://doi.org/10.1353/mov.2007.0003
  5. restricted access
  1. Mobile Home Movies: Travel and le Politique des Amateurs
  2. Devin Orgeron
  3. pp. 74-100
  4. DOI: https://doi.org/10.1353/mov.2007.0013
  5. restricted access
  1. My Saga of the Newly Discovered Estate of Erich von Stroheim
  2. Rick Schmidlin
  3. pp. 101-109
  4. DOI: https://doi.org/10.1353/mov.2007.0014
  5. restricted access
  1. Silent Film Exhibition and Performative Historiography: The Within Our Gates Project
  2. Anna Siomopoulos, Patricia Rodden Zimmermann
  3. pp. 109-111
  4. DOI: https://doi.org/10.1353/mov.2007.0016
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  1. The Birth of a Black Cinema: Race, Reception, and Oscar Micheaux's Within Our Gates
  2. Anna Siomopoulos
  3. pp. 111-118
  4. DOI: https://doi.org/10.1353/mov.2007.0017
  5. restricted access
  1. Revisiting and Remixing Black Cinema
  2. Patricia Rodden Zimmermann
  3. pp. 119-124
  4. DOI: https://doi.org/10.1353/mov.2007.0019
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  1. Media Antecedents to Within Our Gates: Weaving Disparate Threads
  2. John L. Hochheimer
  3. pp. 124-128
  4. DOI: https://doi.org/10.1353/mov.2007.0005
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  1. The Spoken Word in Within Our Gates: Revisited and Remixed
  2. Grace An
  3. pp. 128-132
  4. DOI: https://doi.org/10.1353/mov.2007.0000
  5. restricted access
  1. Interview with Fe Nunn
  2. Anna Siomopoulos, Grace An, Fe Nunn
  3. pp. 132-135
  4. DOI: https://doi.org/10.1353/mov.2007.0001
  5. restricted access
  1. Museum Movies: The Museum of Modern Art and the Birth of Art Cinema (review)
  2. Barbara Selznick
  3. pp. 136-138
  4. DOI: https://doi.org/10.1353/mov.2007.0015
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  1. Hollywood and the Culture Elite: How the Movies Became American (review)
  2. Heidi Kenaga
  3. pp. 138-141
  4. DOI: https://doi.org/10.1353/mov.2007.0009
  5. restricted access
  1. A Line of Sight: American Avant-Garde Film since 1965, and: The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles (review)
  2. Jan-Christopher Horak
  3. pp. 142-145
  4. DOI: https://doi.org/10.1353/mov.2007.0007
  5. restricted access
  1. American Cinema's Transitional Era: Audiences, Institutions, Practices (review)
  2. Kristen Anderson Wagner
  3. pp. 145-148
  4. DOI: https://doi.org/10.1353/mov.2007.0018
  5. restricted access
  1. Walden (review)
  2. Joshua Mabe
  3. pp. 148-150
  4. DOI: https://doi.org/10.1353/mov.2007.0012
  5. restricted access
  1. Why We Fight (review)
  2. Jill Kozeluh
  3. pp. 150-153
  4. DOI: https://doi.org/10.1353/mov.2007.0010
  5. restricted access
  1. Notre Musique, and: In the Realms of the Unreal (review)
  2. Lindy Leong
  3. pp. 153-158
  4. DOI: https://doi.org/10.1353/mov.2007.0011
  5. restricted access
  1. Editor's Foreword
  2. Jan-Christopher Horak
  3. pp. vi-x
  4. DOI: https://doi.org/10.1353/mov.2007.0006
  5. restricted access
  1. Contributors
  3. pp. 159-160
  4. DOI: https://doi.org/10.1353/mov.2007.0004
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