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Browse > Film, Theater, and Performing Arts > Film and Media Studies > The Moving Image

Volume 8, Number 1, Spring 2008

Editor's Introduction

Editor's Introduction

pp. vi-viii | DOI: 10.1353/mov.0.0000
Karen Gracy
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Guest Editor's Introduction

Guest Editor's Introduction

pp. ix-xiv | DOI: 10.1353/mov.0.0004
Leo Enticknap
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Features

"Born Digital"—Raised an Orphan?: Acquiring Digital Media through an Analog Paradigm

pp. 1-13 | DOI: 10.1353/mov.0.0002
Dylan Cave
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Introduction to Bio-Fiction Classification Theory: Remix Methodologies and the Archivist

pp. 15-37 | DOI: 10.1353/mov.0.0005
Dino Everett
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Forum

How to Preserve Your Films Forever

pp. 38-41 | DOI: 10.1353/mov.0.0001
David Walsh
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When Governments Make Mistakes: Advocacy and the Long-Distance Archivist

pp. 41-51 | DOI: 10.1353/mov.0.0010
Ray Edmondson
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Reviews

Film Preservation: Competing Definitions of Value, Use, and Practice (review)

pp. 52-54 | DOI: 10.1353/mov.0.0008
Snowden Becker
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Electric Edwardians: The Story of the Mitchell & Kenyon Collection (review)

pp. 55-56 | DOI: 10.1353/mov.0.0006
Martin L. Johnson
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Reconstructing American Historical Cinema (review)

pp. 56-59 | DOI: 10.1353/mov.0.0003
Tom Kemper
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Popeye the Sailor, Volume One: 1933-1938 (review)

pp. 60-62 | DOI: 10.1353/mov.0.0007
Sean Savage
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Contributors

Contributors

pp. 63-64 | DOI: 10.1353/mov.0.0009
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The Moving Image

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