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In this Issue

Table of Contents

  1. "Born Digital"—Raised an Orphan?: Acquiring Digital Media through an Analog Paradigm
  2. Dylan Cave
  3. pp. 1-13
  4. DOI: https://doi.org/10.1353/mov.0.0002
  5. restricted access
  1. How to Preserve Your Films Forever
  2. David Walsh
  3. pp. 38-41
  4. DOI: https://doi.org/10.1353/mov.0.0001
  5. restricted access
  1. When Governments Make Mistakes: Advocacy and the Long-Distance Archivist
  2. Ray Edmondson
  3. pp. 41-51
  4. DOI: https://doi.org/10.1353/mov.0.0010
  5. free access
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  1. Film Preservation: Competing Definitions of Value, Use, and Practice (review)
  2. Snowden Becker
  3. pp. 52-54
  4. DOI: https://doi.org/10.1353/mov.0.0008
  5. restricted access
  1. Electric Edwardians: The Story of the Mitchell & Kenyon Collection (review)
  2. Martin L. Johnson
  3. pp. 55-56
  4. DOI: https://doi.org/10.1353/mov.0.0006
  5. restricted access
  1. Reconstructing American Historical Cinema (review)
  2. Tom Kemper
  3. pp. 56-59
  4. DOI: https://doi.org/10.1353/mov.0.0003
  5. restricted access
  1. Popeye the Sailor, Volume One: 1933-1938 (review)
  2. Sean Savage
  3. pp. 60-62
  4. DOI: https://doi.org/10.1353/mov.0.0007
  5. restricted access
  1. Editor's Introduction
  2. Karen Gracy
  3. pp. vi-viii
  4. DOI: https://doi.org/10.1353/mov.0.0000
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  1. Guest Editor's Introduction
  2. Leo Enticknap
  3. pp. ix-xiv
  4. DOI: https://doi.org/10.1353/mov.0.0004
  5. restricted access
  1. Introduction to Bio-Fiction Classification Theory: Remix Methodologies and the Archivist
  2. Dino Everett
  3. pp. 15-37
  4. DOI: https://doi.org/10.1353/mov.0.0005
  5. restricted access
  1. Contributors
  2. pp. 63-64
  3. DOI: https://doi.org/10.1353/mov.0.0009
  4. restricted access