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In this Issue

Table of Contents

  1. The Revolution Will Be Archived: Cuba’s Noticiero ICAIC Latinoamericano
  2. Mariana Johnson
  3. pp. 1-21
  4. restricted access
  1. Wolper’s New Frontier: Studio Documentary in the Kennedy Era
  2. Josh Glick
  3. pp. 22-55
  4. restricted access
  1. “I Have Seen the Future”: Home Movies of the 1939 New York World’s Fair
  2. Caitlin McGrath
  3. pp. 56-80
  4. DOI: https://doi.org/10.5749/movingimage.13.2.0056
  5. free access
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  1. What to do with a Coffin Full of Sugar: Gloria Swanson, Kenneth Anger, and Self-Authorship in the Star Collection
  2. Anne Helen Petersen
  3. pp. 81-98
  4. DOI: https://doi.org/10.5749/movingimage.13.2.0081
  5. restricted access
  1. “The Entire Motion Picture Industry Presents”: The World Is Ours (1938)
  2. Catherine Jurca
  3. pp. 99-108
  4. DOI: https://doi.org/10.5749/movingimage.13.2.0099
  5. restricted access
  1. A Companion to Early Cinema ed. by André Gaudreault, Nicolas Dulac, and Santiago Hidalgo (review)
  2. Stephen Bottomore
  3. pp. 109-112
  4. restricted access
  1. Moving Color: Early Film, Mass Culture, Modernism by Joshua Yumibe (review)
  2. Luke McKernan
  3. pp. 112-114
  4. restricted access
  1. Cinema’s Alchemist: The Films of Péter Forgács ed. by Bill Nichols and Michael Renov (review)
  2. William C. Wees
  3. pp. 115-118
  4. restricted access
  1. Die Nibelungen (1924) (review)
  2. Robert Byrne
  3. pp. 118-121
  4. restricted access
  1. Tokyo Drifter (1966), and: Branded to Kill (1967) (review)
  2. Hiroshi Kitamura
  3. pp. 122-124
  4. restricted access
  1. The War Room (1993) (review)
  2. Jill Kozeluh
  3. pp. 124-127
  4. restricted access
  1. Wunderkino 2.0: On the Varieties of the Cinematic Experience: Northeast Historic Film Summer Symposium July 26–28, 2012, Bucksport, Maine
  2. Leo Goldsmith
  3. pp. 127-129
  4. restricted access
  1. Call for Proposals: The Moving Image 15, no. 1—Special Issue: Restoring Color
  3. p. 130
  4. restricted access
  1. Editors’ Foreword
  2. Donald Crafton, Susan Ohmer
  3. pp. vii-ix
  4. DOI: https://doi.org/10.5749/movingimage.13.2.0vii
  5. restricted access