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Table of Contents

  1. Pleasure Reading: A Regular Feature of J19
  2. p. 5
  3. DOI: https://doi.org/10.1353/jnc.2013.0019
  4. restricted access
  1. Alone and in Company: Some Pleasures of the Text
  2. Peter Coviello
  3. pp. 6-14
  4. DOI: https://doi.org/10.1353/jnc.2013.0001
  5. restricted access
  1. “Conjunctive Relations”
  2. Priscilla Wald
  3. pp. 15-19
  4. DOI: https://doi.org/10.1353/jnc.2013.0004
  5. restricted access
  1. 8½ Times Bartleby
  2. Stuart Burrows
  3. pp. 19-27
  4. DOI: https://doi.org/10.1353/jnc.2013.0007
  5. restricted access
  1. Seriality and Ann Stephens
  2. Dale M. Bauer
  3. pp. 28-35
  4. DOI: https://doi.org/10.1353/jnc.2013.0010
  5. restricted access
  1. “No Reparation”: Accounting for the Enduring Harms of Slavery in Stephen Crane’s The Monster
  2. Gregory Laski
  3. pp. 37-69
  4. DOI: https://doi.org/10.1353/jnc.2013.0013
  5. restricted access
  1. Emily Dickinson in Domingo
  2. Erica Fretwell
  3. pp. 71-96
  4. DOI: https://doi.org/10.1353/jnc.2013.0017
  5. restricted access
  1. Signposts on the Road Less Taken: John Newton Hyde’s Anti-Racist Illustrations of African American Children
  2. Robin Bernstein
  3. pp. 97-119
  4. DOI: https://doi.org/10.1353/jnc.2013.0021
  5. restricted access
  1. Circles upon Circles: Tautology, Form, and the Shape of Democracy in Tocqueville and Melville
  2. Jennifer Greiman
  3. pp. 121-146
  4. DOI: https://doi.org/10.1353/jnc.2013.0003
  5. restricted access
  1. Stranger History
  2. Lloyd Pratt
  3. pp. 154-159
  4. DOI: https://doi.org/10.1353/jnc.2013.0009
  5. restricted access
  1. From the Critique of Power to the Poetics of Justice
  2. Caleb Smith
  3. pp. 160-166
  4. DOI: https://doi.org/10.1353/jnc.2013.0012
  5. restricted access
  1. Pointing the Finger
  2. Emily Ogden
  3. pp. 166-172
  4. DOI: https://doi.org/10.1353/jnc.2013.0016
  5. restricted access
  1. Obi, Assemblage, Enchantment
  2. Elizabeth Maddock Dillon
  3. pp. 172-178
  4. DOI: https://doi.org/10.1353/jnc.2013.0020
  5. restricted access
  1. The Poetics of Disenchantment: José María Heredia and the Tempests of Modernity
  2. Raúl Coronado
  3. pp. 184-189
  4. DOI: https://doi.org/10.1353/jnc.2013.0005
  5. restricted access
  1. First Person Nautical: Poetry and Play at Sea
  2. Hester Blum, Jason R. Rudy
  3. pp. 189-194
  4. DOI: https://doi.org/10.1353/jnc.2013.0008
  5. restricted access
  1. The Long Reach of the Short Poem: Pedagogical Recitation’s Hold on Poetry Studies
  2. Catherine Robson
  3. pp. 195-201
  4. DOI: https://doi.org/10.1353/jnc.2013.0011
  5. restricted access
  1. Art Song Poetics: Performing Samuel Coleridge-Taylor’s Setting of Paul L. Dunbar’s “A Corn Song”
  2. Tsitsi Jaji
  3. pp. 201-206
  4. DOI: https://doi.org/10.1353/jnc.2013.0014
  5. restricted access
  1. The Matter of Literacy, or Poetry without Modernity
  2. Christopher Nealon
  3. pp. 206-213
  4. DOI: https://doi.org/10.1353/jnc.2013.0018
  5. restricted access
  1. First Issues: An Introduction to J19
  2. Dana Nelson, Chris Castiglia
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/jnc.2013.0015
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  1. Introduction
  2. Nancy Bentley
  3. pp. 147-153
  4. DOI: https://doi.org/10.1353/jnc.2013.0006
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  1. Introduction
  2. Max Cavitch
  3. pp. 179-184
  4. DOI: https://doi.org/10.1353/jnc.2013.0002
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  1. Contributors
  2. pp. 215-218
  3. DOI: https://doi.org/10.1353/jnc.2013.0000
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