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In this Issue

Table of Contents

  1. Screens and Storms
  2. Natalie Shapero
  3. p. 305
  4. DOI: https://doi.org/10.1353/thr.2015.0064
  5. restricted access
  1. Person’s Ocean
  2. Natalie Shapero
  3. p. 306
  4. DOI: https://doi.org/10.1353/thr.2015.0068
  5. restricted access
  1. Your Last Drive
  2. Betsy Bonner
  3. p. 307
  4. DOI: https://doi.org/10.1353/thr.2015.0047
  5. restricted access
  1. Airport Sparrow
  2. John Poch
  3. pp. 308-315
  4. DOI: https://doi.org/10.1353/thr.2015.0051
  5. restricted access
  1. What We Get for Free: After Elizabeth Bishop
  2. Denis Donoghue
  3. pp. 316-335
  4. DOI: https://doi.org/10.1353/thr.2015.0055
  5. restricted access
  1. Encyclopedia Kid
  2. Cody Ernst
  3. p. 336
  4. DOI: https://doi.org/10.1353/thr.2015.0059
  5. restricted access
  1. Getting On
  2. Daniel Brown
  3. p. 337
  4. DOI: https://doi.org/10.1353/thr.2015.0062
  5. restricted access
  1. Questioning Minds: The Letters of Hugh Kenner and Guy Davenport
  2. Edward M. Burns
  3. pp. 338-371
  4. DOI: https://doi.org/10.1353/thr.2015.0066
  5. restricted access
  1. from Hesiod’s Works and Days
  2. Hesiod, A.E. Stallings
  3. pp. 372-378
  4. DOI: https://doi.org/10.1353/thr.2015.0070
  5. restricted access
  1. Fur
  2. Grace Alvino
  3. pp. 379-382
  4. DOI: https://doi.org/10.1353/thr.2015.0049
  5. restricted access
  1. Did she consider me dead?
  2. H. L. Hix
  3. p. 383
  4. DOI: https://doi.org/10.1353/thr.2015.0053
  5. restricted access
  1. His First Boss
  2. David M. Katz
  3. pp. 384-385
  4. DOI: https://doi.org/10.1353/thr.2015.0057
  5. restricted access
  1. Another Room
  2. William Virgil Davis
  3. p. 386
  4. DOI: https://doi.org/10.1353/thr.2015.0061
  5. restricted access
  1. Robert Frost and the Work of Retelling
  2. David Wyatt
  3. pp. 387-404
  4. DOI: https://doi.org/10.1353/thr.2015.0065
  5. restricted access
  1. Fado
  2. V. Penelope Pelizzon
  3. p. 405
  4. DOI: https://doi.org/10.1353/thr.2015.0069
  5. restricted access
  1. Spéculation Hasardeuse
  2. Arthur Vogelsang
  3. p. 406
  4. DOI: https://doi.org/10.1353/thr.2015.0048
  5. restricted access
  1. Irene
  2. Jane Gillette
  3. pp. 407-422
  4. DOI: https://doi.org/10.1353/thr.2015.0052
  5. restricted access
  1. Film Chronicle
  2. Jefferson Hunter
  3. pp. 423-431
  4. DOI: https://doi.org/10.1353/thr.2015.0056
  5. restricted access
  1. The Avant-Garde as Tradition at New York City Ballet
  2. Jay Rogoff
  3. pp. 432-438
  4. DOI: https://doi.org/10.1353/thr.2015.0060
  5. restricted access
  1. Gallery Chronicle
  2. Leann Davis Alspaugh
  3. pp. 438-442
  4. DOI: https://doi.org/10.1353/thr.2015.0063
  5. restricted access
  1. Keepers: The Greatest Films—and Personal Favorites—of a Moviegoing Lifetime by Richard Schickel (review)
  2. Michael Anderson
  3. pp. 443-445
  4. DOI: https://doi.org/10.1353/thr.2015.0067
  5. restricted access
  1. “Fakes, Lies, and Forgeries” (October 5, 2014–February 1, 2015) at the Peabody Library
  2. Amy Arthur
  3. pp. 446-448
  4. DOI: https://doi.org/10.1353/thr.2015.0071
  5. restricted access
  1. All of You on the Good Earth by Ernest Hilbert (review)
  2. Chris Childers
  3. pp. 448-454
  4. DOI: https://doi.org/10.1353/thr.2015.0050
  5. restricted access
  1. Fox Drum Bebop by Gene Oishi (review)
  2. Jenny Xie
  3. pp. 454-456
  4. DOI: https://doi.org/10.1353/thr.2015.0054
  5. restricted access
  1. Notes on Contributors
  2. pp. 457-458
  3. DOI: https://doi.org/10.1353/thr.2015.0058
  4. restricted access