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The Subterranean Language of Jeanine Durning’s inging and Monique Jenkinson’s Instrument
- TDR: The Drama Review
- The MIT Press
- Volume 58, Number 2, Summer 2014 (T222)
- pp. 163-171
- Article
- Additional Information
Two recent choreographic works — Jeanine Durning’s inging and Monique Jenkinson’s Instrument — employ words not as content but as kinesthetic forces. In each, as audiences sit with their own embodied thoughts, words recede and silent questions arise to connect us in the space and time of performance.