Abstract

Trisha Brown's signature solo Water Motor (1978) was the first of her choreographies to make the physical intelligence and virtuosity of Brown's unique dancing body the basis for movement and choreography. Preserved in Babette Mangolte's 1978 film, Water Motor returned to the stage in 2011 in its first performance by a dancer other than Brown—an occasion for reexamining the dance's pivotal role in Brown's career.

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