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In this Issue

Table of Contents

  1. Correction
  3. p. 4
  4. restricted access
  1. TDR Comment: Bush's Happy Performative
  2. Diana Taylor
  3. pp. 5-8
  4. restricted access
  1. Spiritual Survival in the Arctic: Atxam Taligisniikangis of the Aleutian Islands
  2. MaryGen Salmon
  3. pp. 9-31
  4. restricted access
  1. Direct-Current Recall in Madagascar
  2. Ron Emoff
  3. pp. 32-44
  4. restricted access
  1. The Consolation of Poetry: A Performance by Barbara Neri
  2. Barbara Neri
  3. pp. 45-77
  4. restricted access
  1. Walking the Talk: Castillo Theatre of 2002
  2. Sean Cook
  3. pp. 78-98
  4. restricted access
  1. Walking the Talk: Castillo Theatre of 2002
  2. Sean Cook
  3. p. 79
  4. restricted access
  1. Walking the Talk: Castillo Theatre of 2002
  2. Sean Cook
  3. p. 82
  4. restricted access
  1. Walking the Talk: Castillo Theatre of 2002
  2. Sean Cook
  3. p. 86
  4. restricted access
  1. Walking the Talk: Castillo Theatre of 2002
  2. Sean Cook
  3. pp. 94-95
  4. restricted access
  1. A Performance Community Onstage and on the Street: Castillo Theatre and Heiner Muller's Germania 3
  2. Daniel Howard Friedman
  3. pp. 99-112
  4. restricted access
  1. Robert Wilson and Fred Newman: A Dialogue on Politics and Therapy, Stillness and Vaudeville
  2. Robert Wilson, Fred Newman, Richard Schechner
  3. pp. 113-128
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  1. Marina Abramovic's The House with the Ocean View: The View of the House from Some Drops in the Ocean
  2. James Westcott
  3. pp. 129-136
  4. restricted access
  1. Yelena Gluzman's I'm So Sorry for Everything
  2. Theresa Smalec
  3. pp. 136-143
  4. restricted access
  1. Tokyo Tim: A Report from Dokkyo University, January 2003
  2. Tim Miller
  3. pp. 143-146
  4. restricted access
  1. Suzuki Tadashi and the Shizuoka Theatre Company in New York
  2. Tadashi Suzuki, Toni Sant, Sara Jansen
  3. pp. 147-158
  4. restricted access
  1. Suzuki Tadashi and the Shizuoka Theatre Company in New York
  2. Tadashi Suzuki, Toni Sant, Sara Jansen
  3. pp. 149-151
  4. restricted access
  1. Suzuki Tadashi and the Shizuoka Theatre Company in New York
  2. Tadashi Suzuki, Toni Sant, Sara Jansen
  3. p. 152
  4. restricted access
  1. Suzuki Tadashi and the Shizuoka Theatre Company in New York
  2. Tadashi Suzuki, Toni Sant, Sara Jansen
  3. p. 154
  4. restricted access
  1. Suzuki Tadashi and the Shizuoka Theatre Company in New York
  2. Tadashi Suzuki, Toni Sant, Sara Jansen
  3. p. 155
  4. restricted access
  1. Suzuki Tadashi and the Shizuoka Theatre Company in New York
  2. Tadashi Suzuki, Toni Sant, Sara Jansen
  3. p. 157
  4. restricted access
  1. Carya Nrtya of Nepal: When "Becoming the Character" in Asian Performance Is Nonduality in "Quintessence of Void"
  2. Saiyada Jamila Ahmed
  3. pp. 159-182
  4. restricted access
  1. Imaging Her Erotics: Essays, Interviews, Projects, and: John Kelly (review)
  2. Ann Daly
  3. pp. 183-185
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  1. Female Spectacle: The Theatrical Roots of Modern Feminism (review)
  2. Sharon Mazer
  3. pp. 186-188
  4. restricted access
  1. A History of Irish Theatre 1601-2000 (review)
  2. Sara Brady
  3. pp. 188-191
  4. restricted access
  1. Performing History: Theatrical Representations of the Past in Contemporary Theatre (review)
  2. Susanne Winnacker
  3. pp. 191-192
  4. restricted access