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Volume 57, Number 4, Winter 2013 (T220)

Table of Contents


p. 1


Freedom Fucking Nothing

pp. 2-3

In Memory

Herbert Blau: 1926–2013

pp. 7-12


Choreopolice and Choreopolitics: or, the task of the dancer

pp. 13-27

Tendering the Flesh: The ABCs of Dave St-Pierre’s Contemporary Utopias

pp. 28-51

Theatre of Revulsion

pp. 52-58

Theatre of Revulsion

pp. 58-59

The World of the Neurology Ward: Hauntology and European Modernism mal tourné in Butoh

pp. 60-85

Medieval Street Performers Speak

pp. 86-94

Performing on the Platform: Creating Theatre with India’s Platform Children

pp. 95-119

Student Essay Contest Winner

Making Space for a Creative Economy: The Work of La Machine

pp. 120-134

“The Unnatural History and Petticoat Mystery of Boulton and Park”: A Victorian Sex Scandal and the Theatre Defense

pp. 135-156

Critical Acts

Ecological Re-orientations in NVA’s Half Life

pp. 157-163

Staging the Twitter War: Toneelgroep Amsterdam’s Roman Tragedies

pp. 163-170


As If: An Autobiography by Herbert Blau (review)

pp. 171-172

Reality Principles: From the Absurd to the Virtual by Herbert Blau (review)

pp. 172-174

Butoh: Metamorphic Dance and Global Alchemy by Sondra Fraleigh, and: Butoh Ritual Mexicano / Alchemy is Dancing by Shakina Nayfack (review)

pp. 174-177

Choreographing Empathy: Kinesthesia in Performance by Susan Leigh Foster (review)

pp. 177-180

The Vakhtangov Sourcebook ed. by Andrei Malaev-Babel, and: Yevgeny Vakhtangov: A Critical Portrait by Andrei Malaev-Babel (review)

pp. 180-184

Worldly Stage: Theatricality in Seventeenth-Century China by Sophie Volpp (review)

pp. 184-185

Suzan-Lori Parks: Essays on the Plays and Other Works ed. by Philip C. Kolin (review)

pp. 186-187

More Books

pp. 188-189

Research Areas


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