We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE
OR

Volume 56, Number 1, Spring 2012 (T213)

Table of Contents

Provocation

Lo Cura Hidalgo: A Performative Transformation of Mexico's Symbolic Father

pp. 2-3

TDR Comment

Occupy Solidarity

pp. 7-9

Articles

Iconoclasm Dictionary

pp. 10-17

On Empathy, Optimism, and Beautiful Play at the First African World Cup

pp. 18-47

Like a Girl's Name: The Adolescent Drag of Amber Hawk Swanson, Kate Gilmore, and Ann Liv Young

pp. 48-76

Dramatic Defiance in Tehran: Reflections on a Society of Contradictions

pp. 77-92

Embodying Sacred History: Performing Creationism for Believers

pp. 93-113

A Split Discourse: Body Politics in Pakistan's Popular Punjabi Theatre

pp. 114-127

Mask Use by Chimpanzees

pp. 128-132

So You Think You Can Dance Does Dance Studies

pp. 133-142

Critical Acts

The Principle of Hope: Reflections on a Revival of Angels in America

pp. 143-149

Trisha Brown's Water Motor: Forever, Now, and Again

pp. 150-157

Books

The Scene of Harlem Cabaret: Race, Sexuality, Performance, and: The Amalgamation Waltz: Race, Performance, and the Ruses of Memory (review)

pp. 158-160

All the King's Horses (review)

pp. 161-163

Correspondence: The Foundation of the Situationist International (June 1957-August 1960) (review)

pp. 163-165

Agency and Embodiment: Performing Gestures/Producing Culture (review)

pp. 166-167

Stance: Ideas about Emotion, Style, and Meaning for the Study of Expressive Culture (review)

pp. 168-169

More Books

pp. 170-171

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access