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Volume 56, Number 1, Spring 2012 (T213)

Table of Contents


Lo Cura Hidalgo: A Performative Transformation of Mexico's Symbolic Father

pp. 2-3

TDR Comment

Occupy Solidarity

pp. 7-9


Iconoclasm Dictionary

pp. 10-17

On Empathy, Optimism, and Beautiful Play at the First African World Cup

pp. 18-47

Like a Girl's Name: The Adolescent Drag of Amber Hawk Swanson, Kate Gilmore, and Ann Liv Young

pp. 48-76

Dramatic Defiance in Tehran: Reflections on a Society of Contradictions

pp. 77-92

Embodying Sacred History: Performing Creationism for Believers

pp. 93-113

A Split Discourse: Body Politics in Pakistan's Popular Punjabi Theatre

pp. 114-127

Mask Use by Chimpanzees

pp. 128-132

So You Think You Can Dance Does Dance Studies

pp. 133-142

Critical Acts

The Principle of Hope: Reflections on a Revival of Angels in America

pp. 143-149

Trisha Brown's Water Motor: Forever, Now, and Again

pp. 150-157


The Scene of Harlem Cabaret: Race, Sexuality, Performance, and: The Amalgamation Waltz: Race, Performance, and the Ruses of Memory (review)

pp. 158-160

All the King's Horses (review)

pp. 161-163

Correspondence: The Foundation of the Situationist International (June 1957-August 1960) (review)

pp. 163-165

Agency and Embodiment: Performing Gestures/Producing Culture (review)

pp. 166-167

Stance: Ideas about Emotion, Style, and Meaning for the Study of Expressive Culture (review)

pp. 168-169

More Books

pp. 170-171

Research Areas


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