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TDR: The Drama Review

Volume 53, Number 1, Spring 2009 (T 201)

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E-ISSN: 1531-4715 Print ISSN: 1054-2043

Table of Contents

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Provocation

The Movement of Ghosts: 1001 nights cast
pp. 2-3

TDR Comment

Concerning Theory for Performance Studies
p. 7
Plagiarism, Greed, and the Dumbing Down of Performance Studies
pp. 7-21
Routledge Responds: Statement by Talia Rodgers
p. 21
Statement by Claire L'Enfant
pp. 21-22
Scholars Comment: If the Commodity Could Speak...
pp. 22-23
Everyone Suffers
pp. 24-25
Who Missed the Plagiarism Lecture?
pp. 25-26
Neoliberalism and the Education Industries
pp. 26-29
A Theory 4 All Seasons
pp. 29-31
What Is Theory For?
pp. 32-37
Mentoring Junior Colleagues through the Publishing Thicket
pp. 37-39
"Facts," Responsibilities, and Action(s)
pp. 39-41
Something, Nothing
pp. 41-44
Brain Cramps
pp. 44-45
An Open Letter to Phil Auslander
pp. 45-46

Articles

Rehearsing the "Warrior Ethos": "Theatre Immersion" and the Simulation of Theatres of War
pp. 47-72
"Berlin . . . Your Dance Partner Is Death"
pp. 73-92
A Delicate Balance: Negotiating Isolation and Globalization in the Burmese Performing Arts
pp. 93-128

Subject Headings:

Critical Acts

Critical Acts
pp. 129-146
Postdramatic Stress Syndrome: Dood Paard's medEia at P.S. 122
pp. 129-135
Decolonizing the Body Politic: Guillermo Gómez-Peña's Mapa/Corpo 2: Interactive Rituals for the New Millennium
pp. 136-141
Performing Resistance in Burma
pp. 141-146

Books

Tragedia Endogonidia, and: The Theatre of Socìetas Raffaello Sanzio (review)
pp. 147-151
It (review)
pp. 151-153
The Wooster Group Work Book (review)
pp. 154-155
The Future of the Image (review)
pp. 156-157
How to See a Work of Art in Total Darkness (review)
pp. 157-158
Rudolf Laban: The Dancer of the Crystal (review)
pp. 159-160

© 2009 Project MUSE®. Produced by The Johns Hopkins University Press in collaboration with The Milton S. Eisenhower Library.