TDR: The Drama Review
Volume 52, Number 4 (T 200) Winter 2008
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E-ISSN: 1531-4715 Print ISSN: 1054-2043
Table of Contents

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Provocation
Next day, same place: After Godot in New Orleans
pp. 2-3
TDR Comment
Where Do New Plays Come From?
pp. 7-12
Letters Etc.
Lost in Translation?
pp. 13-20
Articles
Friend Me if You Facebook: Generation Y and Performative Surveillance
pp. 21-40
Exotic Dancing: Performing Tribal and Regional Identities in East Malaysia’s Cultural Villages
pp. 41-63
Feeling a Shared History through Song: “A Flower in the Rainy Night” as a Key Cultural Symbol in Taiwan
pp. 64-81
Collective Improvisation: The Practice and Vision of Ingemar Lindh
pp. 82-97
Gossip, Ghosts, and Memory: Mother Courage and the Forging of the Berliner Ensemble
pp. 98-117
Politics and Identity in Maltese Theatre: Adaptation or Innovation?
pp. 118-144
Tales with Guts: A “Rasic” Aesthetic in Medieval French Storytelling
pp. 145-173
Tiresian Journeys
pp. 174-182
Critical Acts
Beauty and the Street: 72 Hours in Union Square, NYC
pp. 182-192
A Note from the “Books” Section Editor
pp. 193-193
Books
Open Score by Robert Rauschenberg, 9 Evenings: Theatre and Engineering (review)
pp. 194-196
Uvod u studije performansa (review)
pp. 196-197
A Performance Cosmology: Testimony from the Future, Evidence from the Past (review)
pp. 198-200
Performing Glam Rock: Gender and Theatricality in Popular Music (review)
pp. 201-202
TDR Volume 52 Index
pp. 203-209