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  • Contributors

Marta Werner is the author/editor of Emily Dickinson's Open Folios: Scenes of Reading, Surfaces of Writing, Radical Scatters: An Electronic Archive of Emily Dickinson's Late Fragments, and (with Nicholas Lawrence), Ordinary Mysteries: The Common Journal of Nathaniel and Sophia Hawthorne. She is Associate Professor of English at D'Youville College in Buffalo, NY. Email: wernerm@dyc.edu.

Logan Esdale is Assistant Professor of English at Chapman University. He is currently preparing a critical edition of Gertrude Stein's Ida A Novel (1941) for Yale University Press. This essay on Moore is part of a book manuscript, Interpersonal Space, Letters, and Modernist American Writing, which nears completion. Other essays from this book have appeared in The Emily Dickinson Journal and the Journal of Modern Literature. Email: esdale@chapman.edu.

Nick Havely is Professor of English and Related Literature at the University of York (UK) and has also held teaching posts at Oxford and Cornell. He has published a translation, Chaucer's Boccaccio (1980, repr. 1992) and editions of Chaucer: The House of Fame (1994, 2d ed. forthcoming in 2011) and Chaucer's Dream Poetry (1997). He is editor of Dante's Modern Afterlife (1998) and author of Dante and the Franciscans (2004) and the Dante volume in the Blackwell series Guides to Literature. He has also published numerous articles and essays on the reception of Dante and is currently completing a study of Dante in the English-Speaking World from the Fourteenth Century to the Present (for publication by Oxford University Press). Email: nrh2@york.ac.uk.

Samuel J. Huskey is the Chair of the Department of Classics and Letters and Joseph Paxton Presidential Professor at the University of Oklahoma. His work includes essays on Latin literature in journals such as Studies in Latin Literature and Roman History, Arethusa, and Philologus. He is currently preparing a critical edition and commentary of Ovid's Ibis and an edition [End Page 150] of previously unpublished scholia to books 1-3 of Lucan's Bellum Civile. Email: huskey@ou.edu.

Christopher Callahan is Professor of French Studies at Illinois Wesleyan University. His scholarship focuses on medieval literature as a performed genre, combining philology, narratology, and musicology. He has co-edited with Samuel N. Rosenberg Les Chansons de Colin Muset. Textes et mélodies (Paris: Champion, 2005) and, the same year, Les Chansons de Colin Muset en français moderne (Paris: Champion). His essays on medieval French lyric and medieval music have appeared in journals such as French Forum, Arthuriana, Romance Quarterly, and College Music Symposium, in addition to numerous edited volumes. He is currently preparing, with Daniel E. O'Sullivan, a new critical edition of the songs of the royal poet Thibaut de Champagne (1201-1253). Email: callahan@iwu.edu. [End Page 151]

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