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On Recent Performances of Luigi Nono’s The Forest Is Young and Full of Life
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182 C ri ti ca l A ct s Butler, Judith 2004 “Violence, Mourning, Politics.” In Precarious Life: The Powers of Mourning and Violence, 19–49, 153–55. London: Verso. Cvetkovich, Ann, and Ann Pellegrini, eds. 2003 “Public Sentiments.” Special Issue S&F Online 2, 1: http://www.barnard.edu/ sfonline/ps/index.htm (17 October 2007). Eng, David L. 2002 “The Value of Silence.” Theatre Journal 54, 1:85–94. Freud, Sigmund 1957 “Thoughts for the Times on War and Death” (1915) and “Mourning and Melancholia” (1917). In The Standard Edition of the Complete Psychological Works of Sigmund Freud, Volume XIV, translated and edited by James Strachey, 273–300 and 237–58. London: Hogarth Press. Iraq Body Count 2003–2007 “Documented Civilian Deaths from Violence.” Iraq Body Count. http:// www.iraqbodycount.org/database/ (17 October 2007). IraqMoritorium.org 2001–2007 IraqMoritorium.org. http://iraq moratorium.org/ (29 September 2007). Jones, Ernest 1961 The Life and Work of Sigmund Freud. Edited and abridged by Lionel Trilling and Steven Marcus. New York: Basic Books. Miller, Marc Crispin 2001 The Bush Dyslexicon: Observations on a National Disorder. New York: W.W. Norton and Company. Safire, William 2001 “The Way We Live Now: 10-28-01: On Language; Coordinates.” New York Times Magazine, 28 October, sec. 6:22. YouTube 2007 “Sally Field—Emmy Acceptance Speech Uncensored.” YouTube. http://www.youtube.com/ watch?v=ImoMGyJjWIk (13 October). TDR: The Drama Review 52:1 (T197) Spring 2008. ©2008 New York University and the Massachusetts Institute of Technology Judy Lochhead The Italian composer Luigi Nono (1924–1990) became well known in the late 1950s and 1960s for works that championed various antiwar, anti-Fascist, pro-Communist, and pro-labor positions within the world’s political arena. The work that thrust Nono into international prominence, Il canto sospeso (The Suspended Song; 1955/56) for solo voices, chorus, and orchestra, sets to music excerpts of letters written by captured European resistance fighters before their execution.1 This work was a natural extension of Nono’s growing political and social concerns, which took an explicit form when he joined the Communist Party in 1952. Nono’s musical sensibilities were never cut off from his sense of what the world should be. A series of explicitly political works followed in the 1960s and early ’70s, such as Intolleranza On Recent Performances of Luigi Nono’s The Forest Is Young and Full of Life Judy Lochhead is a music theorist and musicologist whose work focuses on the most recent musical practices in North America and Europe. Utilizing concepts and methodologies from postphenomenological and poststructuralist thought, she develops modes of thinking about recent music that address the uniquely defining features of this repertoire. Her work distinguishes between the conceptions of musical structure and meaning that derive from the differing perspectives of performers, listeners, and composers. Some recent articles include: “Analyzing from the Body” coauthored with George Fisher in Perspectives of New Music (2002), and “‘How Does it Work?’: Challenges to Analytic Explanation” in Music Theory Spectrum (2006). With Joseph Auner, Lochhead coedited Postmodern Music/Postmodern Thought (Routledge, 2001). 183 C ritical A cts 1960 (Intolerance 1960; 1961), La fabbrica illuminata (The Illuminated Factory; 1964), Ricorda cosi ti hanno fatto in Auschwitz (Remember What They Did to You in Auschwitz; 1965), A floresta é jovem e cheja de vida (The Forest Is Young and Full of Life; 1965/66), and Al gran sole carico d’amore (In the Bright Sunshine Heavy with Love; 1972/74). And although Nono’s commitment to social concerns never faded, the music from roughly 1955 to 1975 was most intensely targeted toward issues of the time. The repercussions of World War II, the ensuing tensions of the cold war and its threats of nuclear annihilation, the violent turbulence of the 1960s and early ’70s, including the war in Vietnam—all established the context that focused Nono’s social and political concerns on his artistic vision. World events in the early years of the new millennium—the wars in Iraq and Afghanistan, the genocide in Darfur, the escalating violence in Palestine and Israel, the nuclear posturing of Iran and North Korea—have generated anew a pressing sense of unease about the future...