We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE

Volume 43, Number 1, 2014 (Issue 133)

Table of Contents

Guest Editors: Nathalie Rachlin & Rosemarie Scullion

Introduction: From Engagé to Indigné: French Cinema and the Crises of Globalization

pp. 3-12 | DOI: 10.1353/sub.2014.0010

Olivier Masset-Depasse’s Illégal: How to Narrate Silence and Horror

pp. 13-25 | DOI: 10.1353/sub.2014.0013

Hope and Indignation in Fortress Europe: Immigration and Neoliberal Globalization in Contemporary French Cinema

pp. 26-43 | DOI: 10.1353/sub.2014.0001

The Last Working Class City in France: Gheerbrant’s La république Marseille and Post-Global Cinema

pp. 44-62 | DOI: 10.1353/sub.2014.0003

Lessons for the Neoliberal Age: Cinema and Social Solidarity from Jean Renoir to Jean-Pierre and Luc Dardenne

pp. 63-81 | DOI: 10.1353/sub.2014.0005

The Crisis before the Crisis: Reading Films by Laurent Cantet and Jean-Pierre and Luc Dardenne Through the Lens of Debt

pp. 82-95 | DOI: 10.1353/sub.2014.0007

Claire Denis and the World Cinema of Refusal

pp. 96-108 | DOI: 10.1353/sub.2014.0009

Responding to Globalization: The Evolution of Agnès Varda

pp. 109-122 | DOI: 10.1353/sub.2014.0012

Interpreting Intouchables: Competing Transnationalisms in Contemporary French Cinema

pp. 123-137 | DOI: 10.1353/sub.2014.0000

Tracking the Global through the Local: Slon/Iskra’s Documentaries of Displacement

pp. 138-151 | DOI: 10.1353/sub.2014.0002


The Linguistic Return: Deconstruction as Textual Messianism

pp. 152-165 | DOI: 10.1353/sub.2014.0004

Mannerism, Baroque, and Modernism: Deleuze and the Essence of Art

pp. 166-190 | DOI: 10.1353/sub.2014.0006


The Mother of Us All?

pp. 191-197 | DOI: 10.1353/sub.2014.0008


pp. 198-199 | DOI: 10.1353/sub.2014.0011

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access