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Table of Contents

  1. The Limits of Vococentrism: Chris Marker, Hans Richter and the Essay Film
  2. David Oscar Harvey
  3. pp. 6-23
  4. DOI: https://doi.org/10.1353/sub.2012.0020
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  1. Composing in Fragments: Music in the Essay Films of Resnais and Godard
  2. Nora M. Alter
  3. pp. 24-39
  4. DOI: https://doi.org/10.1353/sub.2012.0023
  5. restricted access
  1. Finding a Voice: Varda's Early Travelogues
  2. Claudia Gorbman
  3. pp. 40-57
  4. DOI: https://doi.org/10.1353/sub.2012.0018
  5. restricted access
  1. Scenes in a Library: Alain Resnais and Toute la mémoire du monde
  2. Steven Ungar
  3. pp. 58-78
  4. DOI: https://doi.org/10.1353/sub.2012.0019
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  1. Lines of Flight: Jean-Daniel Pollet, Méditerranée, and the Tel Quel Group
  2. Andrew Ritchey
  3. pp. 79-98
  4. DOI: https://doi.org/10.1353/sub.2012.0017
  5. restricted access
  1. Contingency, Narrative, Fiction: Vogler, Brenkman, Poe
  2. Michael Jay Lewis
  3. pp. 99-118
  4. DOI: https://doi.org/10.1353/sub.2012.0022
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  1. Coming Too Late: Freud, Belatedness, and Existential Trauma
  2. Andrew Barnaby
  3. pp. 119-138
  4. DOI: https://doi.org/10.1353/sub.2012.0014
  5. restricted access
  1. Jacques Derrida: Biography in Action
  2. Jan Baetens
  3. pp. 139-145
  4. DOI: https://doi.org/10.1353/sub.2012.0013
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  1. Excess: Second Lives of Jacques Derrida
  2. Vincent B. Leitch
  3. pp. 146-156
  4. DOI: https://doi.org/10.1353/sub.2012.0015
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  1. Introduction: Between The Essay Film and Social Cinema
  2. Steven Ungar
  3. pp. 3-5
  4. DOI: https://doi.org/10.1353/sub.2012.0021
  5. restricted access
  1. Contributors
  3. pp. 157-158
  4. DOI: https://doi.org/10.1353/sub.2012.0016
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