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Volume 40, Number 1, 2011 (Issue 124)

Table of Contents

Introduction

pp. 3-13 | DOI: 10.1353/sub.2011.0002

I. Specificities of the Medium

Some Medium-Specific Qualities of Graphic Sequences

pp. 14-33 | DOI: 10.1353/sub.2011.0007

Comics as a Test Case for Transmedial Narratology

pp. 34-52 | DOI: 10.1353/sub.2011.0005

Storylines

pp. 53-69 | DOI: 10.1353/sub.2011.0008

II. Varieties of Graphic Storytelling

Teeth, Sticks, and Bricks: Calligraphy, Graphic Focalization, and Narrative Braiding in Eddie Campbell's Alec

pp. 70-93 | DOI: 10.1353/sub.2011.0010

Abstraction in Comics

pp. 94-113 | DOI: 10.1353/sub.2011.0004

III. Graphic Narratives, the Sciences of Mind, and the Scope of the Human

What to Expect When You Pick up a Graphic Novel

pp. 114-134 | DOI: 10.1353/sub.2011.0009

Fast Tracks to Narrative Empathy: Anthropomorphism and Dehumanization in Graphic Narratives

pp. 135-155 | DOI: 10.1353/sub.2011.0003

Storyworld/Umwelt: Nonhuman Experiences in Graphic Narratives

pp. 156-181 | DOI: 10.1353/sub.2011.0000

IV. Remediating Graphic Narratives

The Narrativity of Post-Convergent Media: No Ghost Just a Shell and Rirkrit Tiravanija's "(ghost reader C.H.)"

pp. 182-202 | DOI: 10.1353/sub.2011.0006

Contributors

pp. 203-204 | DOI: 10.1353/sub.2011.0001

Research Areas

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